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The Quick and the Dead
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DIRECTORS OF "The Quick and the Dead"
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CREATORS OF "The Quick and the Dead"
The Quick and the Dead
CRITICS OF "The Quick and the Dead"
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ReelViews
Resource

January 01, 2000

Raimi's choice to give the film a comic book-like aura of mingled camp and grit makes for some fitfully energetic and entertaining moments, but it's not enough to overcome The Quick and the Dead's primary fault.
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Common Sense Media
Resource

March 11, 2015

Frequent gun violence in quirky '90s Western.
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Kansas City Kansan

October 30, 2004

Stylish Raimi western is violent, unpredictable.
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Combustible Celluloid
Resource

February 03, 2007

Raimi's movie borrows heavily from classic spaghetti westerns, but Raimi has a style of his own, and plenty of it.
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Movie Metropolis
Resource

September 19, 2009

Sam Raimi does a lot of interesting things in The Quick and the Dead and Sharon Stone plays a convincing female gunfighter, but the one-horse plot with no subplots to generate additional interest becomes a drag.
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San Francisco Chronicle
Resource

January 01, 2000

You get lots of clothes here, but no emperor.
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New York Times

May 20, 2003

Mr. Raimi is limited by a sketch mentality, which means his jokes tend to be over long before his films end. But his tastes for visual mischief and crazy, ill-advised homage can still make for sly, sporadic fun.
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Flipside Movie Emporium

September 02, 2005

Raimi's gimmicky but endlessly inventive direction gives it plenty of gas, and the excellent cast takes it the rest of the way.
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Rolling Stone

May 12, 2001

What Raimi can't find is a center. He hankers for us to giggle at the brutal archetypes he's parodying and to warm to them, too. It won't wash, pardner.
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7M Pictures

September 02, 2005

Sharon Stone misses the mark on this one.
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Los Angeles Times
Resource

February 13, 2001

Rarely dull, it is not noticeably compelling either, and as the derivative offshoot of a derivative genre, it inevitably runs out of energy well before any of its hotshots runs out of bullets.
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Time Out
Resource

June 24, 2006

A deadpan black comedy, Sam Raimi's fast-paced movie looks and sounds like a Leone oater but more so.
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