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Darkman
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Darkman

Description
When thugs employed by a crime boss lead a vicious assault on Dr. Peyton Wilder, leaving him literally and psychologically scarred, an emergency procedure allows him to survive. The scientist then returns to exact revenge on the people who burned him alive.
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Darkman
CRITICS OF "Darkman"
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Rolling Stone

May 12, 2001

Raimi's live-action comic book aims to deliver scares spiked with laughs. That it does.
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Daily Dead
Resource

January 08, 2016

Darkman still remains one of Sam Raimi's most ambitious projects to date and it's hard to do anything but admire the kind of lofty ambitions Raimi tosses at the screen with his self-created superhero crime thriller/dark comedy mash-up.
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The Dissolve
Resource

February 20, 2014

Darkman is funny, but it's no joke; it's the work of a man who underlines the conventions of adventure stories and horror because he enjoys them, and knows that even when rendered tongue-in-cheek, they're timeless.
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Film Freak Central
Resource

May 01, 2014

Raimi, in 1990, made the best comic-book movie there ever was...
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FilmLand Empire
Resource

June 22, 2015

...comicbook slapstick and off-the-hook mania in a combination only previously seen in Evil Dead II.
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New York Times

May 20, 2003

Darkman sustains mild interest throughout, but it never takes off, partly because a real-estate scam, gangland shootouts, city corruption and a love story clutter up the sad story of Westlake's strange mutation.
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Variety
Resource

June 04, 2007

Despite occasional silliness, Sam Raimi's Darkman has more wit, pathos and visual flamboyance than is usual in contemporary shockers.
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Cinema Crazed
Resource

March 13, 2014

It's a fun, gruesome, and original revenge picture for horror and pulp fans alike...
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Chicago Reader
Resource

June 04, 2007

Raimi's flair for jazzy visual effects and extravagant action sequences, combined with direction that's full of punch and energy, makes this the best pop roller-coaster ride around.
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Commercial Appeal (Memphis, TN)
Resource

February 25, 2014

As with most of Raimi's early work, the second-hand premise is an excuse for the director's movie-mad visual invention.
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Time Out
Resource

January 26, 2006

Wild, woolly and occasionally wondrous.
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TIME Magazine
Resource

March 28, 2010

Raimi isn't effective with his actors, and the dialogue lacks smart menace, but his canny visual sense carries many a scene.
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