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The House of the Spirits
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The House of the Spirits

Description
The life of Esteban, an ordinary poor man, who after years of working hard, manages to acquire wealth and buy a small farm, he marries the beautiful Klara, from whom he has a beautiful girl Blanca, has been changed completely when Blanca grows up and falls in love with a handsome and courageous revolutionary guy named Pedro, the thing that threatens her father's position and works.
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DIRECTORS OF "The House of the Spirits"
The House of the Spirits
CRITICS OF "The House of the Spirits"
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Rolling Stone
Resource

May 20, 2013

It's always painful when a brilliant book becomes a bust of a movie.
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Baltimore Sun
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May 20, 2013

It's also a wretched paradox: a big budget, star-driven art film whose very elements subvert its ambitions and turn it into the thing it least wants to be -- a listless '50s-style Hollywood melodrama.
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Empire Magazine
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May 20, 2013

Given the talents involved, the film's hesitations in style and consistent failure to really move must be counted as a major disappointment.
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Film4
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May 20, 2013

Similar epics are made with more conviction and less pretension on daytime TV.
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Philadelphia Daily News
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May 20, 2013

This isn't just a bad movie -- it's hugely, grandiosely, pompously bad.
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Los Angeles Times
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May 20, 2013

Inert from its opening moments to its too-long-delayed close, this lackluster production is an example of international filmmaking at its least attractive, and a misstep in the careers of pretty much everyone involved.
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Chicago Tribune
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May 20, 2013

The flaws aren't fatal. The beauty and brilliance that might have been, don't preclude the quality and bravery that exist on the screen.
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Christian Science Monitor
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May 20, 2013

The film version stresses political intrigue and revolutionary violence at The expense of the anything-goes dreaminess that gives the book its most memorable moments. A stellar cast doesn't help much.
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Orlando Sentinel
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May 20, 2013

The House of the Spirits is like Gone With the Wind with the fun and excitement replaced by lofty. All that's left is the wind.
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TV Guide
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May 20, 2013

The story, from the best-selling novel by Isabel Allende, is purely incidental to the unintentionally hysterical stylings of this potential camp cult film. It's truly awful, and one shouldn't miss it for the world.
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Philadelphia Inquirer
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May 20, 2013

How can an accomplished director take a great novel, the best actors working and the finest technicians available and make a film so... bland? It's a puzzlement.
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TIME Magazine
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May 20, 2013

The thing works in its goofy way, mainly because Bille August is a man of apparently dauntless conviction. He has written and directed every scene with serene authority.
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