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The Hours
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The Hours

Description
The film captures two stories that are connected to each other during the past and present. In 1951, Laura Brown, a pregnant housewife, plans a party for her husband. Maybe things will not go as planned as you can not stop reading the novel of Mrs.. Dalloway. Meanwhile, Clarissa von, a modern woman now living, is holding a party for her friend Richard, where she dies from AIDS and is linked to both stories.
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The Hours
CRITICS OF "The Hours"
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Detroit News

January 17, 2003

As stunning an acting showcase as you'll find.
Solarmovie
Good Morning America
Resource

February 25, 2015

The script, the score, the sets, the costumes, and the direction are all Oscar quality, and incredible performances from Kidman, Moore, Streep and Harris make The Hours seem like minutes.
Solarmovie
Film Threat
Resource

December 06, 2005

The film's true star is its script.
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EmanuelLevy.Com
Resource

March 26, 2009

Daldry's screen version is well acted but too literal, failing to convey the complexity or the lyricism of Cunningham's seminal novel.
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Common Sense Media

December 28, 2010

Smart, thoughtful movie for older teens and up.
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Houston Chronicle

January 17, 2003

A compelling, moving film that respects its audience and its source material.
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Time Out
Resource

June 24, 2006

A boldly realised, affecting work.
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TheMovieReport.com
Resource

February 01, 2009

More than just Oscar bait; it's a veritable Oscar bait and tackle shop.
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New York Magazine/Vulture

August 07, 2004

A puzzling and forbidding strangeness.
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Nick's Flick Picks
Resource

September 16, 2006

The Hours totally engrosses me... It somehow deepens the [book's] themes to see the bodies, scrutinize the faces, smell the money, feel the flatness of the screen.
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Miami Herald
Resource

January 17, 2003

The film actually improves on Cunningham's novel, thanks to gorgeous cinematography, a deft script by playwright David Hare ... a mournful, melodious but never intrusive score by Philip Glass and a superb cast.
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Chicago Reader
Resource

February 11, 2008

David Hare's screen adaptation reduces Woolf and her art to a set of feminist stances and a few plot points, without reference to style or form.
The Hours
Soundtracks OF "The Hours"
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