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The Glass House
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The Glass House

Description
Ruby Barker’s parents died in a car accident. She and his brother - Rhett -  have to move to Malibu to live with Terrence and Erin Glass. At first, Ruby and Rhett are happy and comfortable. Ruby quickly makes friend at school and Rhett spends more time with his video games. But when discovering the two childrens are recieved $4 million, neighbors start changing their attitude.
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DIRECTORS OF "The Glass House"
The Glass House
CRITICS OF "The Glass House"
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New York Times

September 17, 2001

A thriller that does not mean to be comical but that inspires more howls of laughter than shivers of dread.
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Cinema Crazed
Resource

April 29, 2009

Has so much potential and structure to become an excellent thriller yet it doesn't deliver.
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Netflix
Resource

November 07, 2002

Creepy psychothriller features great performances, twisty plot and superbly crafted moments of tension.
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Northwest Herald (Crystal Lake, IL)

June 12, 2003

All told, Ruby is responsible for more deaths than the villain. What a spunky little heroine.
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Reel Film Reviews
Resource

August 01, 2003

...the screenplay...doesn't contain an ounce of subtlety or even intelligence.
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New York Post

September 17, 2001

Just another thriller that feels mass-produced.
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CNN.com
Resource

September 24, 2001

One look at Terry and Erin's home, and you can sense director Daniel Sackheim gearing up for a tsunami of hogwash.
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eFilmCritic.com
Resource

March 19, 2003

the suspense genre has all but ceased to be suspenseful . . . it's business as usual, and the blades in the cookie cutter are getting dull.
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Entertainment Weekly
Resource

September 20, 2001

We're left with a cat-and-mouse game between girl and murderous faux-dad that's simply boilerplate.
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RTÉ (Ireland)
Resource

February 13, 2003

With debut director Sackheim struggling to infuse the pedestrian plot with any sense of vigour, 'The Glass House' is rendered less memorable with every passing minute.
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ReelViews
Resource

September 20, 2001

The film has two consistent attributes: stupidity and predictability.
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Salon.com
Resource

October 12, 2001

Wesley Strick, the screenwriter, is my hero. I admire anyone who's figured out how to do as little work as he does and still make a good living.
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