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Red Eye (2005)
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Red Eye (2005)

Description
The story tells the story of a hotel manager involved in an assassination plot by a terrorist while on a flight to Miami. The events continue and the hotel manager is threatened with the possible murder of her father, and then pulled into a plot to help her captors displace a political man, the plan that was already made.
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CREATORS OF "Red Eye (2005)"
Red Eye (2005)
CRITICS OF "Red Eye (2005)"
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Rolling Stone

August 27, 2005

It took forever, but the best thriller of summer 2005 has finally arrived. The gripping, seat- clutching suspense in this baby will pin you to your seat.
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Cinemaphile.org
Resource

October 26, 2016

The movie gains an effective footing by, basically, thoroughly exploiting one's fear of being blackmailed into something dangerous.
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Eye for Film
Resource

August 06, 2007

this mid-air thriller sees the director not so much soaring to the heavens as merely coasting along on auto-pilot.
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Film and Felt
Resource

September 26, 2009

Works extremely well as a fast-paced adrenaline rush, but not so well as an allegory on today's government and security issues.
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ComingSoon.net
Resource

April 25, 2011

While not particularly original, Red Eye is immensely entertaining and a fine example of the classic suspense-thriller.
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Ebert & Roeper

August 29, 2005

For Wes Craven, who I like a lot as a slasher director, he really goes into a different direction with this.
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AV Club

September 26, 2005

If constructing a thriller could be likened to building a house, then Wes Craven's Red Eye is a perfect piece of architecture: It's clean-lined and soundly structured, without a foot of wasted space or any materials left unused.
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Dark Horizons
Resource

October 18, 2008

Quick but satisfying.
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New York Observer
Resource

September 07, 2005

I'm not claiming masterpiece stature for Red Eye, just a solid professionalism in the acting, writing and direction that seems inextricably related to the modesty of its intentions.
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eFilmCritic.com
Resource

August 13, 2007

Hitchcock, of course, got lots of mileage out of just such absurd plots. But Wes Craven, whatever other strengths he has, isn't Hitchcock.
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New Yorker
Resource

September 06, 2005

The movie turns into a complicated duel that depends on precise observation of physical detail and moment-by-moment continuity so closely calibrated that it's impossible to find a wasted shot or an exaggerated emotion.
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Time Out
Resource

June 03, 2006

The psychological mind-games are played to the hilt, the pressurised cabin air increases the edge-of-the-seat tension and the 85-minute flight time is gratifyingly short.
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