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The Bad Batch
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DIRECTORS OF "The Bad Batch"
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CREATORS OF "The Bad Batch"
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HEROES OF "The Bad Batch"
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CRITICS OF "The Bad Batch"
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Los Angeles Times
Resource

June 22, 2017

As a politically barbed fantasy, "The Bad Batch" is intriguing but facile; as a bid for cult-classic status, it's strained and self-conscious.
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The ARTery
Resource

June 23, 2017

It's got vision and atmosphere to burn, yet at the same time feels strangely hollow and incomplete.
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National Post
Resource

June 22, 2017

Amirpour's genius -- and she's honed it even more since her first film -- is to find the cinematic sweet spot between atmosphere and exposition.
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Flick Filosopher
Resource

June 22, 2017

Filmmaker-to-watch Ana Lily Amirpour again shakes up a familiar genre - here, the postapocalyptic adventure - in unexpected ways, but stumbles a bit in the process.
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Mark Reviews Movies
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June 22, 2017

[T]his is a movie that's mostly about attitude -- ultimately hollow, while being apathetic about everything it shows and anything it could be saying.
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Toronto Star
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June 22, 2017

Brace yourself for a dark, nasty and surprisingly enjoyable ride.
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Globe and Mail
Resource

June 23, 2017

It's a trippy, sun-scorched apocalyptic horror film with a rom-com finish that gets as bloody, visceral and cannibalistic as its U.S. R rating will allow.
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Georgia Straight
Resource

June 22, 2017

The film wants ambiguity -- not the kind of thing generally found in pulp -- leaving us with unreadable characters and a distinct petering-out of tension.
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MTV
Resource

June 22, 2017

Amirpour has ambitions bigger than the art house. She wants to make big, colorful blockbusters, too, and The Bad Batch feels like an audition reel to take over Mad Max.
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Salt Lake Tribune
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June 22, 2017

While her visual flair is strong, Amirpour's arch tone stifles the charisma of her cast... By the end of The Bad Batch, she has painted a fascinating scene, but she's also painted her characters into corners from which she can't help them escape.
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New York Times
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June 22, 2017

It's good, dirty fun. But it also takes exploitation - of bodies, of feeling, of labor - seriously.
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RogerEbert.com
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June 23, 2017

A film with neither engaging emotional threads nor the kind of panache that makes such cinematic mayhem worth it.
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