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1922
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DIRECTORS OF "1922"
1922
CRITICS OF "1922"
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IGN Movies
Resource

October 19, 2017

Maybe this would have been a great episode of Alfred Hitchcock Presents, but as a film, it feels too small for its own good.
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Guardian
Resource

October 19, 2017

There's an unshakable menace that lingers, a tale of guilt and regret that burrows its way under the skin.
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Consequence of Sound
Resource

September 29, 2017

Zak Hilditch - like Gerald's Game director Mike Flanagan - knows that, even with the pathos behind it, this is still a horror story.
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Slant Magazine
Resource

October 18, 2017

Thomas Jane's dramatization of rage is haunting and shrewdly comical in its overt and ultimately moving über-manliness.
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Las Vegas Weekly
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October 19, 2017

It's a solid, straightforward thriller that gets the job done without much fuss, and it lands somewhere in the upper-middle of all King movie adaptations.
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Showbiz Junkies
Resource

October 20, 2017

1922 is a slow burn, a psychological horror tale that weaves a simple yet captivating story.
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indieWire
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September 25, 2017

It doesn't take any shocking new twists, but musters just enough fresh polish to a classic scenario to make it worth one more ride.
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The Playlist
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October 18, 2017

Months from now, or maybe years, we'll probably look at Zak Hilditch's "1922" as the most essential Stephen King adaptation produced in 2017.
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TheWrap
Resource

September 24, 2017

Too often actors playing rural roles mistake "slow" for "stupid," but Jane pinpoints Wilfred's mental acuity without rushing through reactions that feel anachronistic or phony.
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Wizard
Resource

October 16, 2017

Stephen King doesn't generally let his characters off the hook for evil deeds and Wilf and Henry suffer real good in 1922. It's a cautionary tale.Not only 'don't murder your wife,' but maybe the bigger picture of 'listen to women.It's good for the soul.'
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Variety
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September 24, 2017

A largely satisfying adaptation of Stephen King's novella about unappeasable guilt triggered by the mortal sin of murder.
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Hollywood Reporter
Resource

September 26, 2017

The film is not lurid in its scares, and instead depicts its protagonist's suffering mostly as a slow rot.
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