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Rising Sun
Description
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex
Actors:
Mako,
Larry O. Williams Jr.,
Paul Fujimoto,
Ray Wise,
Dakin Matthews,
Carl David Burks,
Amy Hill
Mako
10 December 1933, Kobe, Japan
Larry O. Williams Jr.
28 July 1973, Los Angeles, California, USA
Paul Fujimoto
Ray Wise
20 August 1947, Akron, Ohio, USA
Dakin Matthews
7 November 1940, Oakland, California, USA
Carl David Burks
Amy Hill
9 May 1953, Deadwood, South Dakota, USA
Country:
United States
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It directs attention not to the internal reasons for America's economic problems, but to inscrutable, generalized, unknown others from abroad, whose yellow skins and strange manners announce their evil purposes as much as their unfair trade practices.
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It never rises past a second-rate thriller.
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May 13, 2007
Snipes at his coolest still can't save this xenophobic piece of studio flotsam.
April 09, 2008
What should have been a tense political thrilling blockbuster, ends up a wasted effort with a limp storyline that once again fails to give the book justice.
January 02, 2009
Kaufman's film is flawed. but not as bad as critics claim-- charges of racism made this adaptation controversial even before it was seen.
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Kaufman's PC adaptation falls awkwardly between the conventions of the Hollywood conspiracy thriller and something intended as more artily significant.
October 18, 2008
As the plot grows more intricate, strangely the tension dissipates, until finally the movie just seems to run out of breath.
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aufman's heavy-handedness and a half-baked script with unfocused performances to match render this unentertaining, vacuous nonsense.
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When working in genre territory before, the idiosyncratic Kaufman has shown a marked tendency to debunk or subvert conventions. Playing it straight here, he brings little to the table.
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The film grafts a fiercely modernist feel onto characters and themes right out of a 1940s film noir--an impressive achievement that more than makes up for a ponderous storyline.
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I found it pretty entertaining, as well as provocative in some of its comments about contemporary life.
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It would be nice to see Connery doing something intrinsically interesting instead of trying to make something inherently dull entertaining. And it would be good to see Snipes cut loose more than he is able to here.
