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First Knight
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First Knight

Description
Swordsman Lancelot is incredibly skilled at fighting, but when he meets Guinevere, he can't seem to get past her defenses. But Guinevere is due to be married to King Arthur. Meanwhile, a violent warlord tries to seize power from Arthur and Lancelot must try to put his feelings aside and defend his king.
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CREATORS OF "First Knight"
First Knight
CRITICS OF "First Knight"
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Film.com

January 01, 2000

...lots of action and chivalrous pomp, but no magic.
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Apollo Guide

April 23, 2008

While director Jerry Zucker seems to have been intent on dragging the film to the mushy middle, it's still more entertaining than most comparable Middle Ages-set movies.
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eFilmCritic.com

March 21, 2003

Bland and over-romanticized treatment of the Arthurian legend. Gere ridiculously miscast as Lancelot. Watch Boorman's EXCALIBUR instead.
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EmanuelLevy.Com
Resource

August 16, 2005

Director Zucker is unsuccessful in trying to put a fresh angle on the familiar story, and he is not much helped by his romantic leads, Richard Gere and Julia Ormond.
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Groucho Reviews

April 21, 2008

Goes for a pass as a shallow but occasionally rousing swordfighting flick with a handful of thoughtful scenes...has something those other pictures don't have: Sean Connery as King Arthur.
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Washington Post
Resource

January 01, 2000

Pillaged of such mainstays as Merlin and Morgan le Fay-as well as magic, majesty and depth-'Camelot' has become 'Camelite.'
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Variety

February 13, 2001

Aside from casting Richard Gere as Lancelot, First Knight marches out as an agreeably intelligent, mature and well-mounted telling of the legendary King Arthur story.
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TheMovieReport.com
Resource

August 07, 2004

The out-of-place [Richard] Gere doesn't do justice to the fine performance of [Julia] Ormond.
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Los Angeles Times
Resource

February 13, 2001

The problem for him[Gere], and the film, comes when the non-physical acting begins.
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MovieCrypt.com

April 06, 2003

No Merlin, no magic, no way.
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Washington Post
Resource

January 01, 2000

There's swordplay to the hilt, but the story itself never quite gets in Gere.
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Rolling Stone

May 12, 2001

Whenever Zucker stops piling on battle scenes as if he were directing Braveheart, his film casts a romantic spell.
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