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Mr. Nice
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Mr. Nice

Description
Oxford University student Howard Marks (Rhys Ifans) runs one of the biggest global cannabis smuggling operations from the late 1960s to the early 1980s with alleged connections to MI6, the IRA and the Mafia.
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Mr. Nice
CRITICS OF "Mr. Nice"
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Entertainment Weekly
Resource

June 15, 2011

Writer-director Bernard Rose lets the picture bop along a little too loosely, but the vibes are good.
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St. Paul Pioneer Press

September 29, 2011

I'd recommend the similar "Blow" first, and I didn't even like that movie much.
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Paste Magazine
Resource

June 10, 2011

what Mr. Nice offers is a stylish and fascinating biography that, while perhaps playing loose with the facts, knows that it's far more entertaining to watch the highs than the lows.
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Boston Phoenix
Resource

September 07, 2011

Ultimately, Mr. Nice doesn't transcend its genre, but the title character is a bright addition to the cinematic rogues' gallery of charmers for whom the real high isn't the drugs or the cash, but the con.
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Washington City Paper
Resource

September 12, 2011

Overly relying on narration, Mr. Nice tells much more than it shows.
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San Francisco Chronicle
Resource

June 30, 2011

Effortlessly captures the looks, attitudes and the various mentalities of the period from the late 1960s and early 1970s, through the transition from the hippie era into the Studio 54 days, followed by the Just-Say-No retrenchment of the 1980s.
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Washington Post
Resource

September 09, 2011

The writer-director tells the story with verve and small-budget ingenuity.
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Oregonian
Resource

July 14, 2011

Marks may be a gas as a storyteller, but there's a long way between a string of anecdotes and an actual narrative film. And "Mr. Nice," for all its energy, doesn't make the transition.
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Boston Globe

September 08, 2011

Ifans looks 20 years too old for the part, and the problem with the movie is it seems so desperate to be made that it barely cares that he spends half of his time miscast.
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East Bay Express
Resource

July 01, 2011

We're always ready to accept Ifans as a hedonistic daredevil.
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St. Louis Post-Dispatch
Resource

July 29, 2011

[Ifans] captures the character's charisma and cool, and it's fun to ride shotgun with him. But the script isn't pointed enough to drill beneath the surface.
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Los Angeles Times
Resource

September 11, 2011

Though the film takes a while to cast its spell, writer-director-cinematographer Bernard Rose's close observation of Marks and those around him becomes increasingly involving and allows Rose to comment on the widespread failure of the war on drugs.
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