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Barbarella
Description
Set in an unspecified future, the movie follows highly sexual Barbarella as she is assigned with finding and stopping the evil Durand-Durand, whose positronic ray, if not recovered, could signal the end of humanity.
Set in an unspecified future, the movie follows highly sexual Barbarella as she is assigned with finding and stopping the evil Durand-Durand, whose positronic ray, if not recovered, could signal the end of humanity.
Actors:
Claude Dauphin,
Véronique Vendell,
Giuseppe Castellano,
Diane Bond,
Catherine Chevallier,
Ugo Tognazzi,
Gara Granda
Claude Dauphin
19 August 1903, Corbeil-Essonnes, Essonne, France
Véronique Vendell
21 July 1942, Montpellier, France
Giuseppe Castellano
Diane Bond
Catherine Chevallier
Ugo Tognazzi
23 March 1922, Cremona, Lombardy, Italy
Gara Granda
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January 01, 2000
Fonda looks sensational and glides through this romp like a dazed, ripe-to-the- touch innocent.
June 17, 2014
Campy sci-fi cult classic features violence, nudity.
June 05, 2013
One of the most memorable of comic book adaptations ever conceived...
December 27, 2013
A Flash Gordon-meets-Oz kitsch-fest stripping women's sexual revolution down to voyeuristic spectacle, flimsily dressed in cheap, see-through, psychedelic B-movie garb. Vadim imbues most scenes with a faux-arty lethargy that slumps into stiltedness.
June 10, 2004
It's fun in a 'What were they smoking?' kind of way.
April 17, 2007
Despite a certain amount of production dash and polish and a few silly-funny lines of dialog, Barbarella isn't very much of a film.
September 10, 2012
...like a lot of truly terrible things from the '60s, Barbarella has acquired the patina of the cult classic, which means that as the cultural context has changed we are able to enjoy it for reasons other than those intended by the filmmakers
January 26, 2006
Terry Southern's dialogue occasionally sparkles, and the imaginative designs, as shot by Claude Renoir, look really splendid.
July 02, 2012
"Barbarella" is the 1968 sci-fi that made Jane Fonda a household name. The opening credits feature a striptease that takes Fonda from a cumbersome space suit to her birthday suit. Her sex kitten looks were enough to drive young men crazy.
New York Times
May 09, 2005
Throughout the movie, there is the assumption that just mentioning a thing (sex, politics, religion) makes it funny and that mentioning it in some offensive context makes it funnier.
April 17, 2007
The film is ugly on so many levels -- from art direction to human values -- that it's hard to know where to begin.
