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American Gothic - Season 1 (1995)

Description
In a quiet little town that looks attractive, this is shown by the evil and charming sheriff who uses his demonic powers to remove anyone who dares to stand in his way. Over time, the residents face more struggles in front of this evil man as a young boy appears that can change course and stand against this sheriff.
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American Gothic - Season 1 (1995)
CRITICS OF "American Gothic - Season 1 (1995)"
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Buffalo News
Resource

June 13, 2019

I loved it, but I'm not sure I want to watch it before going to bed.
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South Florida Sun-Sentinel
Resource

June 13, 2019

It is the most promising effort of its kind since early Twin Peaks, to which it will inevitably be compared. American Gothic reinforces the old saw that the most enervating terror of all is psychological, and here it is abundance.
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CinemaBlend
Resource

June 13, 2019

"Gothic"'s one-season run features plenty of strong moments and no real stinkers. Couple that with a finale that provides enough closure to be satisfying while still inspiring wistful thoughts of "what if..."
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Horror.com
Resource

June 13, 2019

Despite some rather dodgy special effects and the occasional heavy-handedness, American Gothic holds up very well.
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Deseret News (Salt Lake City)
Resource

June 13, 2019

This is the most difficult show of the year to describe - it's at once repulsive and enthralling. The quality of writing and acting is exceptional, and - while it's certainly not to everyone's taste - it's also about the best new show of the season.
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Los Angeles Times
Resource

June 13, 2019

"American Gothic" requires patience as well as trust. Patience, to endure this opening hour, which plods and meanders en route to a negligible payoff. Trust, that the series will improve.
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Entertainment Weekly
Resource

June 13, 2019

Consume this supernatural sandwich and you're liable to end up thinking you should have thrown away the bread.
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New York Times
Resource

June 13, 2019

If the sense of menace sometimes threatens to get a bit campy, that shouldn't come as a surprise in a project on which two of the executive producers are Sam Raimi and Robert Tapert.
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Variety
Resource

June 13, 2019

The mood and visuals are too stylized, the music too self-conscious, the situations too ridiculous to sustain a mass audience over several seasons.
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