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Vantage Point
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Vantage Point

Description
he attempted assassination of the American President is told and re-told from eight witnesses with eight different points of view. But just when you think you know the answer, the shattering final truth is revealed.
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DIRECTORS OF "Vantage Point"
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CREATORS OF "Vantage Point"
Vantage Point
CRITICS OF "Vantage Point"
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Fayetteville Free Weekly
Resource

February 02, 2009

Vantage Point is a patented representative of this year's early mediocrity. Vantage Point is trailer trash.
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Projection Booth
Resource

August 24, 2008

For movies like Vantage Point, life is too short.
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Sin Magazine

July 22, 2008

If you are looking for mindless action, it's not bad. But since this is trying to be something more than that, I can't quite recommend it.
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Screen International
Resource

July 23, 2008

Although based around a familiar, Rashomon-style concept, Vantage Point ratchets up its intensity so effectively that the lack of originality hardly matters.
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San Francisco Chronicle
Resource

February 22, 2008

When everything is finally revealed, the story Vantage Point tells is fairly pedestrian, and nothing special is gained from all the stopping and restarting.
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USA Today
Resource

February 22, 2008

While the title, trailer and commercials imply that we'll be carefully piecing together clues to a complex assassination attempt as seen from several perspectives, the final product turns out to be a tepid thriller that promises more than it delivers.
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Spectrum (St. George, Utah)
Resource

July 19, 2008

The whodunit-with-terrorist-undertones doesn't test, shock or surprise the audience in any unique way.
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Toronto Star
Resource

February 22, 2008

Vantage Point is a thriller that has quite a lot on its mind. The very structure of the movie challenges the audience's patience, if not its wit.
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Seattle Times

February 22, 2008

All this visual caffeine is in service to a story that isn't worth telling, and that too frequently resorts to the cheap technique of putting an adorable little girl in peril, then cutting away.
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Time Out
Resource

March 07, 2008

Although mounted with no little efficiency by director Pete Travis (who previously made the TV drama-doc 'Omagh'), the narrative enterprise actually hides a one-dimensional world view, with civilian casualties mere background set dressing.
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