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Vampire's Kiss
Description
After an encounter with a neck-biter, a mentally-ill publishing executive thinks that he's turning into a vampire. Therefore, he goes out and buys a set of real fangs. Then the chaos begins.
After an encounter with a neck-biter, a mentally-ill publishing executive thinks that he's turning into a vampire. Therefore, he goes out and buys a set of real fangs. Then the chaos begins.
Actors:
Robert Lujan,
Pamela Dean Kelly,
Jessica Lundy,
Jill Gatsby,
Sol Echeverría,
Jodie Markell,
Helen Scroggins
Robert Lujan
Pamela Dean Kelly
Jessica Lundy
20 March 1966, San Diego, California, USA
Jill Gatsby
15 April 1967, Los Angeles County, California, USA
Sol Echeverría
Jodie Markell
13 April 1959, Memphis, Tennessee, USA
Helen Scroggins
Director:
Robert Bierman
Robert Bierman
Country:
United States
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January 01, 2000
You're not exactly sure if the material is meant to be funny or is laughable merely by default.
April 13, 2015
As Vampire's Kiss unspools, the lead character, Peter Loew (Cage), wavers in and out of this accent and a wide variety of voices, seeming to give every role Cage has ever played (or would ever play, past, present and future) equal vocal time in the film.
September 16, 2008
What truly distinguishes the movie is Cage's performance, which is so off the wall that even if you don't like it you have to watch in awe.
September 16, 2008
An odd blend of bitter comedy and genuine horror.
Rolling Stone
June 06, 2001
What this movie needs isn't criticism, it's more like a stake through the heart.
September 16, 2008
What really makes this worth seeing is Cage's outrageously unbridled performance.
April 09, 2007
For pure, undiluted Cage-osity, Vampire's Kiss is the film to beat.
June 24, 2006
Bierman's striking first feature leaves one trembling between corrosive laughter, edgy terror, and a residual sadness at Loew's pitiful plight.
October 21, 2006
Undeservedly dismissed by most critics, this original film, whether taken as a straight horror yarn or as a psycho-erotic nightmare, mixes elements of fable and satire in a startling manner.
New York Times
May 20, 2003
The film is dominated and destroyed by Mr. Cage's chaotic, self-indulgent performance.
September 16, 2008
Problem is that Cage's over-the-top performance generates little sympathy for the character, so it's tough to be interested in him as his personality disorder worsens.
