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The Price of Everything
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The Price of Everything

Description
It is a realistic look at the world of painting and real art that lies in our values and times. Here we present a series of events that illustrate the hot market between artists, drawings and artistic life through the world of contemporary art, which bears a true mirror about our values and times that reflect real art.
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HEROES OF "The Price of Everything"
The Price of Everything
CRITICS OF "The Price of Everything"
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AV Club
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October 17, 2018

Look, the film seems to say, and take from it what you will-but make sure you catch all the detail, because it's not as simple as it seems.
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Little White Lies
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November 15, 2018

Cool and nominally neutral, there is nonetheless a genius use of one scene from Martin Scorsese's grim and glossily-reproachful The Wolf of Wall Street that makes the director's feelings on the subject crystal clear.
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Philadelphia Daily News
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October 31, 2018

The uneasy relationship between art and money... is explored with wit and verve...
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Backseat Mafia
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November 13, 2018

Incisive and amusing
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Financial Times
Resource

November 14, 2018

The film is cheery, disorientating, witty, bleak, dizzying.
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RogerEbert.com
Resource

October 19, 2018

A scrappy documentary on the increasingly currency-focused machinations of the art world.
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Time Out
Resource

November 12, 2018

An intelligent film, 'The Price of Everything' is also very funny - usually on purpose, though some of the art is ridiculous.
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Decider
Resource

November 13, 2018

Any insight into the mysterious world of contemporary art is worth watching.
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Boston Globe
Resource

October 26, 2018

The implicit castigation the documentary has to offer is hard to miss. So is the sense of overriding fascination. Is it possible to cast a cold eye if the look being given is so wide-eyed?
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Screen International
Resource

November 06, 2018

The wide ranging perspectives of painters, collectors, dealers and gallery owners makes for a thought-provoking and unexpectedly moving film with the potential to attract both a specialist and a more general audience.
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Los Angeles Times
Resource

October 25, 2018

Kahn is a quiet filmmaker, and he gently prods his sources to go beyond the typical art world hyperbole of "gorgeous" and "wonderful."
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Wall Street Journal
Resource

November 12, 2018

Nathaniel Kahn lets the contemporary-art market shoot itself in the pedicured foot. But not everything worth saying needs to be articulated in this highly polished documentary-a beautiful piece of representational art, as it happens.
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