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The One
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The One

Description
Gabriel Yolao is going through very difficult circumstances, his life turning into a controversial story. The story of Gabrielle, a police officer, began as he began to face an alternative version of himself growing stronger with every alternative he kills and intends to kill Gabriel, where he eventually wants to get rid of all of that, but the issue seems bigger than imagined.
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DIRECTORS OF "The One"
The One
CRITICS OF "The One"
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Toronto Star
Resource

November 02, 2001

It's the kind of movie ... where the hero is cheered not for the grace of his moves but for the number of rounds of ammo he can spray and the punches he can land.
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Movie Metropolis
Resource

March 31, 2009

Bullets fly, lights flash, action occurs, time goes by, but nothing actually happens.
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Cinenganos

June 08, 2002

una colección de huecos inexplicables en su guión.
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eFilmCritic.com
Resource

March 19, 2003

A sci-fi kung-fu mish-mash of dreck . . . The use of stand-ins is obvious and the resolution is ludicrous.
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RTÉ (Ireland)
Resource

May 22, 2003

Hasn't enough good dialogue here for one Yulaw, never mind two.
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USA Today
Resource

November 02, 2001

Fans of The Matrix will hold their noses, as will those who put down sparring Arnold Schwarzeneggers in The 6th Day (now looking better).
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New York Post

November 03, 2001

This sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies.
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Film Quips Online
Resource

February 08, 2003

All I know is, if there are really multiple parallel universes, I pity all the versions of me that have to watch all the versions of this movie.
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Washington Post

November 02, 2001

I guess you would call this a twin Jet movie. That doesn't quite take off.
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Northwest Herald (Crystal Lake, IL)

August 22, 2002

You should know you're in trouble when you steal ideas from Highlander.
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Washington Post

November 02, 2001

A chaotic kung fu, sci-fi, rama-lama-dingdong on themes handled more originally by The Matrix.
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Village Voice
Resource

November 06, 2001

Wong's efficiently creepy Final Destination was as much memento mori as teen disposal unit, but in The One the maze of death leads only to exhaustion.
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