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The Omen
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The Omen

Description
The young son of an American diplomat and his wife, living in London, turns out to be marked with the sign of Satan, the infamous '666'. It soon becomes apparent that he could be the Anti-Christ incarnate and possesses the evil powers to stop anyone who stands in his way. Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the anti-christ? The devil';;s own son?  
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The Omen
CRITICS OF "The Omen"
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Antagony & Ecstasy
Resource

July 25, 2015

Much of the film is terrific, unnerving stuff; but much of it is kind of loopy and much too silly to take even a little seriously.
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Daily Telegraph (UK)
Resource

December 29, 2014

The Omen contains some of the most memorable untimely deaths in cinema history.
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TV Guide
Resource

October 09, 2012

Silly and bloody, but at times very effective.
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Film4
Resource

October 09, 2012

Entertaining and yes, still ominous after all these years. A landmark of satanic cinema.
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Cinema Crazed
Resource

October 31, 2013

Stands alone as a wonderful horror thriller.
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Chicago Sun-Times
Resource

October 23, 2004

As long as movies like The Omen are merely scaring us, they're fun in a portentous sort of way.
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Variety
Resource

March 26, 2009

Richard Donner's direction is taut. Players all are strong.
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Empire Magazine
Resource

October 09, 2012

It was the performance of Harvey Stephens as the young Damien that invested the film with the chill of genuine credibility.
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Time Out
Resource

January 26, 2006

This apocalyptic movie mostly avoids physical gore to boost its relatively unoriginal storyline with suspense, some excellent acting (especially from Warner and Whitelaw), and a very deft, incident-packed script.
Solarmovie
PopMatters
Resource

October 09, 2012

All references to prophecy and the Antichrist aside, The Omen achieves its horrors the old fashioned way.
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New York Times

May 09, 2005

A member of the Exorcist family, it is a dreadfully silly film, which is not to say that it is totally bad.
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Chicago Reader
Resource

October 09, 2012

Richard Donner directs more for speed than mood, but there are a few good shocks.
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