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The Merchant of Venice
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The Merchant of Venice

Description
In 16th century Venice, in order to win a woman's heart, Bassanio is forced to make a deadly deal with pitiless moneylender Shylock (Al Pacino). Bassanio will get his money, and without paying interest. If he doesn't pay it back, however, he will owe Shylock a pound of his flesh.
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The Merchant of Venice
CRITICS OF "The Merchant of Venice"
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Detroit News

February 18, 2005

Pacino's stentorian delivery and punctuating hands are almost parodistic, as likely to draw a chuckle as to elicit empathy.
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sbs.com.au
Resource

January 03, 2011

Pacino seeks his pound of flesh as a tragic outsider.
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Bangitout.com
Resource

July 02, 2009

It is really a pleasure to watch a masterful actor like Al Pacino wring every nuance out of the multifarious character of Shylock.
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At the Movies (Australia)
Resource

July 10, 2009

The text is wonderful, Radford's film has some fine performances from Jeremy Irons and Joseph Fiennes, and he makes good use of Venice locations.
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Orlando Sentinel

February 25, 2005

A vivid, engrossing and defensible Shakespeare adaptation, a period piece that truly has a feel for a time long past -- and a place and attitude that are not.
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Time Out
Resource

June 24, 2006

This is Al Pacino's show, and thankfully his Shylock is absorbing enough to carry the day.
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FILMINK (Australia)
Resource

June 12, 2009

We see what an actor's actor Pacino can be: he's careful and watchful; respectful of other actors' timing; and says his lines perfectly, resisting all temptation to grandstand.
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AV Club

September 26, 2005

It tilts so far in one direction that the comic elements seem to come from another, lesser film.
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Urban Cinefile
Resource

June 05, 2009

A richly cinematic and robust rendition of Shakespeare's pre-political correctness play about the place of Jews in anti-Semitic 16th century Venice, Michael Radford's film takes delight in dramatics thus pulling us into the story.
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Arizona Republic

March 10, 2005

Radford has rendered off the comedy to find the dramatic skeleton underneath. It is an approach that works stunningly well and is perhaps the only way the play can now be done.
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Variety
Resource

July 04, 2008

Pacino is at least dynamic, something harder to say about the women in the cast.
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