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The Man In The Moon
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CREATORS OF "The Man In The Moon"
The Man In The Moon
CRITICS OF "The Man In The Moon"
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TheFilmJournal.com (Ohio)
Resource

March 31, 2005

Mulligan uses a delicate touch in revealing the confusion in growing up and the loss in discovering that the world isn't as simple or perfect as children believe it to be.
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Classic Film and Television
Resource

January 24, 2005

Beautifully filmed, with Mulligan's special gifts for depicting country life and the South.
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Austin Chronicle
Resource

January 01, 2000

This cast is a knock-out. As the parents, veterans Sam Waterston, Tess Harper and Gail Strickland lead these novice teen actors in setting standards that these young performers will spend the rest of their careers trying to emulate.
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Montreal Film Journal
Resource

September 10, 2002

"The Man in the Moon" doesn't break anything, but it does know a thing or two about first love and friendship. A small gem.
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Spirituality and Practice
Resource

July 15, 2003

Tender and touching film about two sisters whose close relationship is tested by the joy of love and the pain of grief.
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Washington Post
Resource

January 01, 2000

"The Man in the Moon" is an intimate, sentimental coming-of-age drama, a sweet little puppy love movie crushed by the enormity of its tragic twists.
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Time Out
Resource

June 24, 2006

The heart-warming tone steadily becomes overheated.
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Kalamazoo Gazette

July 29, 2002

"a drama that lingers on in the memory"
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New York Times

August 30, 2004

Gets an outstandingly natural performance out of Miss Witherspoon, who has no trouble carrying a lot of the film single-handedly. It falls to her to remind the audience that this story is at heart about a family, and she does.
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rec.arts.movies.reviews

January 01, 2000

Self-contained in its own simplicity
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Chicago Sun-Times
Resource

January 01, 2000

"The Man in the Moon" is a wonderful movie, but it is more than that, it is a victory of tone and mood. It is like a poem.
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Variety
Resource

March 26, 2009

Newcomer Witherspoon manages to strike exactly the right note as the tomboy on the verge of womanhood while Waterston works on several levels at once.
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