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The Legend of Bagger Vance
Description
The film tells the story of a down-and-out golfer who attempts to recover his game and his life with help from a mystical caddy who offers to coach him back into the great golfer he once was.
The film tells the story of a down-and-out golfer who attempts to recover his game and his life with help from a mystical caddy who offers to coach him back into the great golfer he once was.
Actors:
J. Michael Moncrief,
Joseph P. Reidy,
Peter Gerety,
Turner Green,
Carrie Preston,
Dermot Crowley,
Erika Mounts
J. Michael Moncrief
1987, Savannah, Georgia, USA
Joseph P. Reidy
Peter Gerety
17 May 1940, Providence, Rhode Island, USA
Turner Green
Carrie Preston
21 June 1967, Macon, Georgia, USA
Dermot Crowley
19 March 1947, Cork, Ireland
Erika Mounts
Country:
United States
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January 01, 2000
A lightweight, modestly engaging yarn.
Common Sense Media
December 28, 2010
Some people will find it simplistic and cliched.
January 10, 2003
Sit this one out. Please.
June 25, 2004
Accepting the zen of golf is easy. It's The Legend of Bagger Vance and a callow Will Smith as a mystical golf guru that's hard to swallow.
Film Threat
December 06, 2005
Benign, banal, and sometimes boring inspirational drama.
January 01, 2000
The competition sequences on the golf links, with the splendid camera work of Michael Ballhaus, and exactly the right amount of digital tweaking, are the real revelations of this film.
January 01, 2000
It handles a sports movie the way Billie Holiday handled a trashy song, by finding the love and pain beneath the story.
Palo Alto Weekly
May 20, 2003
Instead of taking on a life of its own, Redford's film reminds you of ones you've seen before. Legends deserve better.
Boston Globe
January 01, 2000
It offers pleasures of a kind that fewer and fewer films even seem to remember, much less aspire to.
February 08, 2003
The movie does contain some heartfelt performances.
Detroit News
January 01, 2000
A movie that speaks well and truly to essentials in the kind of unhurried terms that most modern movies don't even dare to espouse.
New York Magazine/Vulture
May 21, 2001
Another lusciously produced, emotionally clammy Redford enterprise -- forced, phony mythmaking filled with tinged sunsets and full moons.
