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The Last Tycoon
Description
The movie explores the life and machinations of the troubled movie producer Monroe Stahr (Robert DeNiro), who is hailed as a 'boy genius' during the studio system of 1930s Hollywood.
The movie explores the life and machinations of the troubled movie producer Monroe Stahr (Robert DeNiro), who is hailed as a 'boy genius' during the studio system of 1930s Hollywood.
Actors:
Donald Pleasence,
Ray Milland,
Anjelica Huston,
Seymour Cassel,
Tige Andrews,
Diane Shalet,
Peggy Feury
Donald Pleasence
5 October 1919, Worksop, Nottinghamshire, England, UK
Ray Milland
3 January 1905, Neath, Glamorgan, Wales, UK
Anjelica Huston
8 July 1951, Santa Monica, California, USA
Seymour Cassel
22 January 1935, Detroit, Michigan, USA
Tige Andrews
19 March 1920, Brooklyn, New York, USA
Diane Shalet
23 February 1935, New York, USA
Peggy Feury
20 June 1924, Jersey City, New Jersey, USA
Director:
Elia Kazan
Elia Kazan
7 September 1909, Constantinople, Ottoman Empire [now Istanbul, Turkey]
Country:
United States
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Donald Pleasence
5 October 1919, Worksop, Nottinghamshire, England, UK
Ray Milland
3 January 1905, Neath, Glamorgan, Wales, UK
Anjelica Huston
8 July 1951, Santa Monica, California, USA
Seymour Cassel
22 January 1935, Detroit, Michigan, USA
Tige Andrews
19 March 1920, Brooklyn, New York, USA
Diane Shalet
23 February 1935, New York, USA
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September 26, 2008
Kazan's rigid directing kills the spontaneity of nearly every cast member.
December 27, 2007
It's a film that takes Hollywood too seriously and seems to worship with piety at its altar, but was too awkwardly presented to mean much.
Filmcritic.com
November 12, 2003
it isn't long before we stop caring
August 23, 2004
Out of place and not quite interesting enough to hold our attention, which is a disappointment, because it has many of the elements that can make for greatness.
April 10, 2007
Fitzgerald's unfinished novel transfers awkwardly to the screen but is saved from oblivion by that always-fascinating actor De Niro.
July 11, 2016
The Last Tycoon is an intriguing entry to the period gangster genre that depicts the weight of triad influence in 1930s Shanghai at the cusp of war with an invading Japan.
June 24, 2006
De Niro proves again how well he can carry a part, and is particularly good in scenes dealing with the day-to-day business of movie-making.
Cinema em Cena
February 05, 2004
Interessante na maior parte do tempo, o filme acaba sendo prejudicado pela fraca subtrama romântica e pelo final medíocre (adaptar um livro inacabado pode ser má idéia).
New York Times
May 09, 2005
The movie is full of echoes. We watch it as if at a far remove from what's happening, but that too is appropriate: Fitzgerald was writing history as it happened.
January 18, 2004
An exquisite screen interpretation of F. Scott Fitzgerald's unfinished novel on Hollywood during the Thirties
January 01, 2000
Elia Kazan now admits that he directed this adaptation, his last Hollywood film, for the money. Unfortunately, it looks it.
April 10, 2007
Producer Sam Spiegel's contribution is admirable, but Elia Kazan's direction of the Pinter plot seems unfocussed though craftsmanlike. Robert De Niro's performance as the inscrutable boy-wonder of films is mildly intriguing.
