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The Jacket
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The Jacket

Description
The life of Jack Starks, a young courageous war veteran, who after witnessing a horrible murder, sent to a mental hospital, where he meets a doctor that uses him in his experiment, has been changed completely.
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The Jacket
CRITICS OF "The Jacket"
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Toronto Star
Resource

March 04, 2005

It suffers from a common thriller syndrome these days: the desire to explain away madness with logic.
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Common Sense Media

December 28, 2010

Smart thriller is for mature older teens only.
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Movies for the Masses
Resource

August 31, 2006

Tadjenin seems to draw inspiration from two books: "10 ways to copy 12 Monkeys" --a far inferior read to "10 ways to write 12 Monkeys"-- and "Common Sense: A Stranger"
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eFilmCritic.com
Resource

September 24, 2007

A morose and bleached-looking affair, with depressing music by Brian Eno to match.
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Eye for Film
Resource

June 13, 2008

Maybury is an artist in addition to a director and it's clear that he has an eye for colour, which he uses cleverly to reinforce emotion.
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Variety
Resource

March 04, 2005

Pic begins as a potentially intriguing study of the depersonalizing effects of warfare, only to end up a pastiche of time-travel and psycho-ward movie cliches.
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Ebert & Roeper

March 07, 2005

It just bounces Brody back and forth in time and yanks us around, and around, and around.
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Long Island Press

May 29, 2007

There's nothing wrong with a little vicarious experience when you go to the movies, but the director seems to think that his supernatural psycho thriller has to drive you crazy, just to get what it's like to be really insane.
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Washington Post
Resource

March 04, 2005

The Jacket is doing nothing but sampling elements of Jacob's Ladder, The Silence of the Lambs and Memento.
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Christianity Today

September 25, 2006

A solid attempt to wrestle with some big questions. The cast is exemplary and the premise and script are well reasoned and artful. But it doesn't quite come together.
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Washington Post
Resource

March 04, 2005

Here, Maybury is just arty for art's sake, filming entire scenes in close-ups so big that viewers leave the theater knowing way more than they ever wanted to about the lead actors' bridgework.
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New York Observer
Resource

March 17, 2005

The acting is uniformly excellent.
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