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The Hunger (1983)
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CREATORS OF "The Hunger (1983)"
The Hunger (1983)
CRITICS OF "The Hunger (1983)"
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Butaca Ancha
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September 26, 2016

A film with legendary cast and photograph. Underestimated at the time, but like any other cult movies, was able to find its audience. [Full review in Spanish]
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Antagony & Ecstasy
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June 24, 2013

As good a horror film in the most pure, rarefied sense of "horror" that the '80s produced in English.
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TV Guide
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November 18, 2008

A slick, largely empty visual exercise with vague thematic overtones about a clash between American and European culture.
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Common Sense Media
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March 08, 2011

Bloody lesbian-vampire story is stylish, but no Twilight.
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Mania.com
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May 14, 2013

Vampire movies were always cool, but it took The Hunger to make them modern.
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Chicago Reader
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January 01, 2000

The obsessive conjunction of lesbian sex and flowing blood suggests a deep-seated misogyny, but neither this nor any other theme is registered with enough clarity to offend.
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Time Out
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June 24, 2006

Visual sensualities will have a feast, but you'll have to read Whitley Strieber's novel if you don't want to emerge with a badly scratched head.
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PopMatters
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April 07, 2009

The focus of Hunger is emphatically the death of Bobby Sands, specifically, what happens to his body, viewed from a tragic outside and, to an imaginative extent, a determined inside.
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Chicago Sun-Times
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October 23, 2004

The Hunger is an agonizingly bad vampire movie, circling around an exquisitely effective sex scene. Sorry, but that's the way it is, and your reporter has to be honest.
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Austin Chronicle
Resource

November 18, 2008

More style than substance, and perhaps simply an excuse to get Denueve and Susan Sarandon, Miriam's post-Bowie love, in bed together.
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New York Times

August 30, 2004

The movie reeks with chic, but never, for one minute, takes itself too seriously, nor does it ever slop over into camp.
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Variety
Resource

November 18, 2008

In his feature debut, director Tony Scott, brother of Ridley, exhibits the same penchant for eleborate art direction, minimal, humorless dialog and shooting in smoky rooms.
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