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The Good Girl
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The Good Girl

Description
Thirty years old Justine is a good girl, but she is dissatisfied by her routine and disgusted by her lazy, pot-smoking husband. Then she strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.
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DIRECTORS OF "The Good Girl"
The Good Girl
CRITICS OF "The Good Girl"
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Globe and Mail
Resource

August 21, 2002

White hasn't developed characters so much as caricatures, one-dimensional buffoons that get him a few laughs but nothing else.
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EmanuelLevy.Com
Resource

June 07, 2011

Arteta's third feature is good step in the right direction, for him as a disrector and for Jennifer Anniston as an actress
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TheMovieReport.com
Resource

January 07, 2005

Aniston shows promising signs of a post-sitcom career with her convincing and understated dramatic work.
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IGN Movies
Resource

July 02, 2008

In Miguel Arteta's quirky indie feature, Jennifer Aniston searches for meaning and passion in a swirl of suburban malaise and ironically may have finally found a character who can reveal the shades of her talent.
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Cinema Crazed
Resource

April 29, 2009

Jennifer Aniston is excellent in what is the best performance of her career, yet.
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Hollywood Reporter

August 21, 2002

An absorbing, slice-of-depression life that touches nerves and rings true.
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Time Out
Resource

February 09, 2006

I wish I could say I liked it more, but despite a smattering of priceless moments, The Good Girl gets bogged down in the very narrowness that afflicts Justine.
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Big Picture Big Sound
Resource

July 14, 2007

After languishing in second-banana roles in such films as Picture Perfect and Rock Star, Ms. Aniston here creates a fully realized character of surprising nuance and depth.
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Minneapolis Star Tribune
Resource

November 06, 2002

Once fans recover from the shock, they'll discover that this sitcom actress has the chops to tackle some pretty heavy stuff.
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Three Movie Buffs
Resource

September 30, 2005

In the long run, The Good Girl will be remembered more as a chance for Jennifer Aniston to wet her acting chops than for anything else.
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Orlando Sentinel

August 22, 2002

It's soulful and unslick, and that's apparently just what [Aniston] has always needed to grow into a movie career.
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Variety
Resource

March 31, 2009

A warmly satisfying comedy about dissatisfied people seeking to escape from the personal prison of their mundane lives in soulless suburbia.
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