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The Four Feathers
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The Four Feathers

Description
The Four Feathers is the fifth film adapted from the novel of A.E.W Mason. The setting is in 1989 in Sundan where a young soldier Harry Faversham decides to leaves his duty after his father’s death. Meanwhile, his regiment ships out to battle the rebels. His demobilizing decision is misunderstood as an act of cowardice. The result is that he gets 4 white feathers - a symbol of cowardice from three friends and his fiancée. To regain honor and love, Harry enters the final challenge: Rescue people from danger and return to England.
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The Four Feathers
CRITICS OF "The Four Feathers"
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Seattle Times
Resource

September 20, 2002

It's beautifully done, but there's not much of a point to it.
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Common Sense Media

December 28, 2010

A decent film with some intense battle violence.
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Laramie Movie Scope
Resource

June 17, 2003

This unique tale of heroic redemption, sacrifice and unlikely comrades-in-arms is fascinating.
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Combustible Celluloid
Resource

January 24, 2008

It's cold, misguided, confusing, illiterate, boring, badly acted and flat-out laughable.
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TheMovieReport.com
Resource

December 28, 2008

The Sahara desert, gorgeously photographed by Robert Richardson, displays the most personality in the entire picture.
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Toronto Star
Resource

September 20, 2002

What's missing, crucially, is the passion required to make this unlikely tale work.
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Ebert & Roeper

September 23, 2002

Ledger does a great job in the action sequences and the more tender scenes.
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Kansas City Kansan

February 18, 2006

Michael Schiffe and Hossein Amini's screenplay adaptation (is) as full of holes as the tracks of a camel herd. [published 9-19-02]
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Washington Post

September 20, 2002

It's a pretty compelling yarn, not to mention full of pretty pictures, and yet it could be so much more than that.
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State Journal-Register (Springfield, IL)

June 26, 2003

Ultimately, The Four Feathers is nothing more than a handsomely mounted escapist action flick.
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Washington Post

September 20, 2002

A movie that lacks the jingoistic bravura of earlier editions ... but hasn't replaced it with meaningful historical revisionism appropriate to our post-colonial age.
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Rolling Stone

September 26, 2002

Kapur weighs down the tale with bogus profundities.
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