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The Crash
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The Crash

Description
Set in the future when the US economy is on the brink of yet another massive financial crisis, the movie follows a team of white collar criminals who are enlisted by the Federal government to thwart a cyber-attack that threatens to bankrupt the United States of America.
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DIRECTORS OF "The Crash"
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CREATORS OF "The Crash"
The Crash
CRITICS OF "The Crash"
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Tatiana Craine
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January 11, 2017

Too bad The Crash lives up to its inauspicious name.
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Travis Hopson
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January 14, 2017

Let's just say that Ron Paul supporters will probably embrace The Crash and the theories it comes up with.
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Brian Orndorf
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January 12, 2017

The more Rappaport tries to pull urgency out of thin air, the harder the movie flounders, finding its title more descriptive of production ambition than dramatic content.
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S. Jhoanna Robledo
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January 13, 2017

Limp financial cyber thriller has lots of strong language.
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Ignatiy Vishnevetsky
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January 12, 2017

The Crash fumbles between bad diatribe and bad domestic drama, complete with subplots about absent parents and childhood cancer.
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Godfrey Cheshire
Resource

January 13, 2017

These are all cartoon figures out of Frank Capra's most feverish populist nightmares.
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Edward Douglas
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January 11, 2017

Detailed knowledge of the subject and a fine ensemble cast of characters makes for a compelling (albeit wholly fictional) financial thriller.
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Joe Morgenstern
Resource

January 12, 2017

What is The Crash about? First off, it's about Mr. Rappaport's ability to get his film produced, and hats off to him for that, since it couldn't have made much sense on paper and hasn't grown in coherence on screen.
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Keith Watson
Resource

January 09, 2017

The film may be too preposterous to take seriously, but at least writer-director Aram Rappaport trains his sights on the right enemies.
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Michael Rechtshaffen
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January 12, 2017

An intriguing if flawed techno-thriller that gets an effective boost from a high-caliber cast.
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John DeFore
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January 16, 2017

Several respectable actors offer dicey performances here, but Rappaport's screenplay is the real villain, expecting thin references to real-world financial peril to paper over gaping holes in credibility and plain-old drama.
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