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The Cakemaker
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The Cakemaker

Description
Oren is an Israeli man who died in a car accident and was in a relationship with Thomas that young German. Thomas is a baker who has long been a bread maker for a long time. After Oren's death, he travels to Jerusalem and meets Oren's widow, Anat, who owns a small cafe. Because of his skill in making tasty bread and cakes, he will turn the place into the city's attraction in Jerusalem.
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The Cakemaker
CRITICS OF "The Cakemaker"
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Los Angeles Times
Resource

July 05, 2018

The most fascinating kind of tension results, an unusual state of affairs that plays fair with the characters, and with us.
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The Victoria Advocate
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October 09, 2018

A beautiful film that explores love, loss, and religion.
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IONCINEMA.com
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August 24, 2018

An enjoyable slice of unexpected connection.
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Georgia Straight
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September 13, 2018

The movie is good at (very) slowly turning up the heat, but a lot of it comes out half-baked.
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Gay Essential
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October 08, 2018

There is an earnest, emotional truth to the characters and their relationships - which is plain to see in their faces, even when secrets are being hidden.
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San Francisco Chronicle
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July 19, 2018

Graizer take his time and never feels the need to spell everything out, and "The Cakemaker" is a testament to what filmmakers can achieve when they trust the audience.
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San Diego Reader
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August 23, 2018

Credit first-time writer/director Ofir Raul Graizer with pulling off something of a miracle.
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Jaredmobarak.com
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August 28, 2018

Rather than an over-the-top melodrama, it asks profound questions about human nature, empathy, and our value beyond archaic doctrines that separate more than unite.
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Variety
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August 05, 2018

A tender, tactile and just-sweet-enough story of hidden love, challenged faith and unwittingly shared grief.
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Otroscines.com
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August 26, 2018

A small film, sensitive and, in its own way, quite effective. [Full Review in Spanish]
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Arizona Republic
Resource

July 26, 2018

Kalkhof has perfect chemistry with both Miller and Adler. The characters don't have to talk for the audience to feel the loss, love and desire they're experiencing.
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Chicago Reader
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August 27, 2018

Natural performances from Kalkhof and Adler root the melodrama in genuine pathos.
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