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The Beaver
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The Beaver

Description
Walter Black, the head of a failing toy company, is deeply depressed. His marriage to Meredith is broken and his oldest son, Porter, hates him. Walter then adopts a beaver hand-puppet as his sole means of communicating.
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CREATORS OF "The Beaver"
The Beaver
CRITICS OF "The Beaver"
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Claudia Puig
Resource

May 20, 2011

For a film about the real problem of mental illness, it never feels authentic. Depression is not something neatly tied up. If this is meant as an allegory, it's vague and unconvincing.
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Roe McDermott
Resource

March 14, 2016

The quirky concept and Gibson's powerhouse performance give The Beaver unexpected resonance.
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Ben Kendrick
Resource

October 02, 2012

A unique and thoughtful project that showcases a charming, as well as unconventional, character journey -- and one of Gibson's best roles to date.
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Will Leitch
Resource

June 22, 2013

Thinks it's a whimsical tale of a man finding himself, but Gibson thinks it's the tale of a man losing his mind.
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Sean Burns
Resource

May 12, 2015

It doesn't quite work, but it does provide something of a cinematic exorcism for the public's increasingly conflicted relationship with Gibson.
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David Germain
Resource

May 20, 2011

With The Beaver, Gibson shows that for all his personal turmoil, he still may have a career in the twilight years.
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Dave Calhoun
Resource

June 15, 2011

Beyond the initial idea, this is kid gloves filmmaking, when what we need is a bit more of the gloves-off stuff.
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Amy Curtis
Resource

June 02, 2013

Jodie Foster's The Beaver had its moments, but the overall premise just didn't fly. I just couldn't buy the idea of the talking puppet.
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Tom Long
Resource

May 20, 2011

The acting throughout -- Foster, Lawrence, Yelchin -- is superb, and this may well be Gibson's finest performance, just as it's Foster's most balanced job of directing.
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Roger Moore
Resource

January 14, 2013

Mel Gibson's last hurrah
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Lisa Kennedy

May 20, 2011

The film is amusing, then melancholy, then weirdly funny, then not. It's a quiet, measured work.
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Leah Rozen
Resource

October 07, 2011

It's a bummer of a movie -- dark and at cross-purposes with both itself and any image do-over [Gibson] might be seeking.
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