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Striptease
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Striptease

Description
This story presents a tragic model that we live through that woman called Erin. The story begins when her ex-husband gets custody of their daughter where she takes Eran Grant to help the former FBI. The situation may be different when Irene takes up a new career at Eager Beaver to get her baby back. After a short time, it appears that the puppy Erin turns into a dangerous situation after a member of Congress suddenly takes it.
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Striptease
CRITICS OF "Striptease"
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Orlando Sentinel
Resource

June 18, 2014

If you get stuck at Striptease, my advice is to relax and try to enjoy its occasional pleasures.
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Boston Phoenix
Resource

June 18, 2014

Striptease is not a disaster like that other expensive ecdysiast extravaganza, Showgirls, though if it were, it might at least have some redeeming camp awfulness to enliven its otherwise dull mediocrity.
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Philadelphia Daily News
Resource

June 18, 2014

Kinda made me homesick for Showgirls.
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Baltimore Sun
Resource

June 18, 2014

Although the movie is a bit too long, oddball humor and a likable cast keep it entertaining.
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Tulsa World
Resource

June 18, 2014

For all its matter-of-fact nudity and wealth of silicon-heavy exotic dancers, the film lacks any palpable sense of eroticism.
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Philadelphia Inquirer
Resource

June 18, 2014

Men will doubtless be lured to Striptease by Moore's beautifully sculpted body. But it's the heart she puts into Erin that gives this more erratic than erotic picture the centering presence it needs.
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Chicago Tribune
Resource

June 18, 2014

The Striptease script... is at a loss for any kind of drama between Moore's dances. Not for a second do we care about her as a mother, wife or working woman.
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People Magazine

June 18, 2014

Striptease is an amiable comedy with ambitions to be a satire, but its thriller plot keeps getting in the way of the yucks.
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Washington Post
Resource

June 18, 2014

The film's premise is thinner than the heroine's G-string.
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Radio Times
Resource

June 18, 2014

Andrew Bergman's direction makes it watchable, but his screenplay pulls its punches on the sleaze, and tear-jerking sentimentality and inadequate humour don't combine well with the drama.
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Seattle Times
Resource

June 18, 2014

Bergman, who made The Freshman and Honeymoon in Vegas, provides quotable one-liners for everyone (especially Rhames), and a bevy of strippers lend colorful albeit stereotypically ditzy support.
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Wall Street Journal
Resource

June 18, 2014

Yet another case of the star's salary being much more interesting, and exuberantly vulgar, than anything the screen reveals.
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