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Splendor in the Grass
Description
Splendor in the Grass follows the unrequited and forbidden but superheated romance between working-class high schooler Natalie Wood and rich kid Warren Beatty. Together they learn the harsh lesson of love and life in the '20s and sadly go their separate ways.
Splendor in the Grass follows the unrequited and forbidden but superheated romance between working-class high schooler Natalie Wood and rich kid Warren Beatty. Together they learn the harsh lesson of love and life in the '20s and sadly go their separate ways.
Actors:
Warren Beatty,
Fred Stewart,
Sean Garrison,
Phyllis Diller,
Gary Lockwood,
Lynn Loring,
Hoke Howell
Warren Beatty
30 March 1937, Richmond, Virginia, USA
Fred Stewart
7 December 1906, Atlanta, Georgia, USA
Sean Garrison
19 October 1937, New York City, New York, USA
Phyllis Diller
17 July 1917, Lima, Ohio, USA
Gary Lockwood
21 February 1937, Van Nuys, California, USA
Lynn Loring
14 July 1944, New York City, New York, USA
Hoke Howell
27 August 1929, Sumner, Georgia, USA
Director:
Elia Kazan
Elia Kazan
7 September 1909, Constantinople, Ottoman Empire [now Istanbul, Turkey]
Country:
United States
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Warren Beatty
30 March 1937, Richmond, Virginia, USA
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Show More
Kalamazoo Gazette
January 23, 2003
Probably Wood's finest hour
January 01, 2000
Splendor in the Grass (1961) is another of director Elia Kazan's dramatic, hyperbolic films with daring and controversial content for its times - sexual repression
Filmcritic.com
January 01, 2000
Watchable but not great.
January 31, 2007
One of Kazan's two or three mastrpieces, this powerful small-town film examines growing pains, respressed sexuality, and social hypocrisy, featuring Warren Beatty, in an astonishing screen debut, and Natalie Wood, at their very best.
June 19, 2010
This romantic sudser is darker than those of its day, as it shockingly deals with matters Hollywood had previously kept under wraps.
March 02, 2009
Splendor in the Grass is a prestigious, top-of-the-line, sensitively-handled melodramatic literalization of the axiom "If you touch yourself too much, you'll go crazy."
November 01, 2007
Youth exploitation pictures were all the rage at the time, and while this is better than some in execution and intent, it's still exactly that.
February 09, 2006
A complicated film that never really successfully yokes together the themes of money-making and sexuality, it reveals both Kazan's operatic sensibility and his inability to follow an argument rigorously through.
