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Sin Nombre
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Sin Nombre

Description
It is these events that embody the story of a Honduran teenager who goes into everyday experiences with life in order to seek a better life. This man tries to emigrate to the United States, but he is caught up in the violence of gang life that puts him on a very dangerous course.
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Sin Nombre
CRITICS OF "Sin Nombre"
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Detroit News
Resource

April 17, 2009

Brutal, wrenching and filled with desperation and meanness, Sin Nombre signals a major new talent in writer-director Cary Fukunaga, who never flinches while telling a story so grim and sad it moves beyond tears to numbness.
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Stop Smiling
Resource

September 29, 2015

Sin Nombre still leaves an acrid aftertaste.
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Movies for the Masses
Resource

July 29, 2010

full review at Movies for the Masses
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East Bay Express
Resource

August 16, 2011

Fukunaga wastes no time with laborious explanations for his characters' motives.
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Film Comment Magazine
Resource

October 20, 2014

[F]or all its raw simplicity, the film manages to conjure a veritable library of references.
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Hollywood Reporter

April 17, 2009

Intense Spanish-language feature debut intrigues but doesn't quite gel.
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Orlando Sentinel
Resource

May 13, 2009

The actors, particularly Flores, have a documentary reality about them. Their reactions to most of their predicaments, even the ones given away too easily by the script, are real in the most human sense.
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What Culture
Resource

March 01, 2011

It's a drama, a romance and a thriller, but make no mistake - Sin Nombre pulls no punches in delivery a raw, powerful film that shrugs aside genre convention.
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Washington Post
Resource

May 07, 2009

Sin Nombre is pure filmmaking: a great story told in beautiful images.
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Suite101.com
Resource

October 08, 2010

Spellbinding and nailbiting at the same time, "Sin Nombre’s" climax chillingly evokes the fable of the rabbit crossing the river on the crocodile’s back. Even amid such fleeting hope, its bone-deep fragility proved impossible to shake.
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AV Club
Resource

May 01, 2009

Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America.
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Time Out
Resource

August 14, 2009

It's a tribute to the visceral impact of the staging that the film retains its grip despite becoming somewhat predictable, while thematically it's the usual cycle-of-violence hand wringing.
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