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Silk
Description
The film tells the story of scientist Hashimoto (Yosuke Eguchi) and his colleagues who catch the ghost of a young boy, in order to figure out how this child can shed light on life...and especially life after death...
The film tells the story of scientist Hashimoto (Yosuke Eguchi) and his colleagues who catch the ghost of a young boy, in order to figure out how this child can shed light on life...and especially life after death...
Actors:
Janine Chun-Ning Chang,
Pen-Pang Ha,
Fang Wan,
Pong Fong Wu,
Tung-Lin Shih,
Masane Tsukayama,
Chen-Hui Yeh Hsieh
Janine Chun-Ning Chang
4 September 1982, Taiwan
Pen-Pang Ha
Fang Wan
6 July 1967, Taoyuan, Taiwan
Pong Fong Wu
2 November 1964, Taiwan
Tung-Lin Shih
Masane Tsukayama
6 February 1944, Okinawa, Japan
Chen-Hui Yeh Hsieh
Director:
Chao-Bin Su
Chao-Bin Su
Country:
Taiwan
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February 28, 2008
It is worse than a straightforward bad film, it is a middling, stagnant film that could have been extraordinary.
January 14, 2008
i sta narkotika tha se riksei, i stin katatonia, an kaneis to lathos na tin pareis sta sobara os otidipote allo para eykairia eksaskisis ton kanibalistikon soy enstikton
November 09, 2007
Tremulous eroticism a-go-go, but it's all completely lifeless.
November 23, 2007
A flat story, lean characters and a miscast lead make this a poor facsimile of period epics like Farewell My Concubine.
September 15, 2007
It's a perfect example of how awful direction and performances can ruin an adequate screenplay.
Globe and Mail
September 28, 2007
Though elegantly staged, Silk is badly written and indifferently cast.
November 09, 2007
Dralon is more like it.
September 22, 2007
Sensual but profoundly silly, Silk is ultimately little more than softcore porn with arthouse trappings, a moony, dopily romantic Red Shoe Diaries variation for the NPR set.
November 09, 2007
THE new Keira Knightley film is a visual delight. Unfortunately, the dialogue is far from delightful.
September 18, 2007
Silk isn't just bad. It's utterly mad.
September 28, 2007
François Girard's Silk is not merely painterly. It might as well be a painting, for all that it eschews storytelling, forcing the viewer to scan the lush imagery in search of clues to what, if anything, might be going on.
