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Safe House
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CREATORS OF "Safe House"
Safe House
CRITICS OF "Safe House"
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Newsday
Resource

February 10, 2012

"Safe House" has just enough bone density to emit some satisfying cracks and pops whenever the action gets going.
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Christianity Today
Resource

December 30, 2012

Everybody fights and everybody lies in a thriller that tries to glamorize spies while demonizing their profession.
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FoxNews.com
Resource

September 10, 2012

Denzel and Reynolds keep the bulk of the film fresh, gritty and intense.
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Examiner.com
Resource

September 17, 2012

["Safe House"] becomes a prime example of why no matter how many chases and other action sequences they may throw into the mix, they can't even begin to make up for the more important elements.
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The Aristocrat
Resource

September 27, 2012

With a small amount of tweaking, Safe House could have been a knockout thriller. Instead, we have a film that shares the same notions as my school report cards: ' ...has potential, just needs to focus'.
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Richard Roeper.com
Resource

February 10, 2012

Nothing really new here, but the cast is first-rate.
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Time Out
Resource

February 21, 2012

While director Espinosa hones in on the ambiguous battle between Weston's idealism and Frost's cynicism, British cinematographer Oliver Wood - who filmed the last two Bourne movies - shoots the hell out of everything.
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We Got This Covered
Resource

September 17, 2012

Safe House has a cast full of actors who would make any director blush with confidence, but each and every one of them is used as scenery for the action scenes.
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New York Observer
Resource

February 14, 2012

This is a naive director with so little insight you wonder what comic books he's been reading.
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TheShiznit.co.uk
Resource

September 13, 2012

It doesn't say much about Safe House that I can only recall a grand total of about 2 minutes, and those are mostly moments that enjoy good quality character time rather than any flash-bang excitement.
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Minneapolis Star Tribune
Resource

February 13, 2012

I won't deny that the movie hooked me with sheer brute energy and dragged me along with it most of the way.
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New Yorker
Resource

February 26, 2012

The film's super-saturated look and quick cutting are mere substitutes for any real sense of intrigue.
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