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Romeo Is Bleeding (1993)
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Romeo Is Bleeding (1993)

Description
Jack Grimaldi (Gary Oldman) is a cop who offers tips to the Mafia for money, and cheats on his loving wife with a young mistress. Jack then bites off more than he can chew when he attempts to assassinate a beautiful but ruthless Russian hitwoman.
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DIRECTORS OF "Romeo Is Bleeding (1993)"
Romeo Is Bleeding (1993)
CRITICS OF "Romeo Is Bleeding (1993)"
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Washington Post
Resource

January 01, 2000

Basically, there's nothing new or revolutionary about Mona.
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Shadow and Act
Resource

April 12, 2017

It's a film about laws, loss and heartbreak, but also one of optimistic inspiration and new beginnings. Richmond, California is bleeding, but if you look around so is everyone else.
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TV Guide
Resource

April 09, 2008

The cast tries to make up for the script's hollowness by hurling themselves headlong into the sort of bloody, sweating, spittle-spewing performances that can sometimes turn thin material into personal triumphs, but to little avail.
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Ozus' World Movie Reviews
Resource

May 11, 2008

It's a senseless, tasteless and demented postmodern noir that has about as much class as a gimpy $10 Times Square hooker.
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Creative Loafing
Resource

July 03, 2016

Lena Olin delivers a bravura performance that overwhelms everything else in the picture, much like a tsunami laying way to a seaside shack.
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New York Times

May 20, 2003

For all its promise, and for all the brittle beauty of Dariusz Wolski's cinematography, Romeo Is Bleeding eventually collapses under the weight of its violent affectations.
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Chicago Reader
Resource

April 09, 2008

It would be facile to say it substitutes style for content; actually, it substitutes stylishness for style.
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Film4
Resource

April 09, 2008

This is a battle-of-the-sexes movie played out at such a pitch of pervsity and amorality that it ultimately becomes rather laughable.
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Hollywood Reporter

April 09, 2008

Stylistic but ultimately unsatisfying.
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Empire Magazine
Resource

April 09, 2008

[It's] never content with one cliche when it can shovel on ten.
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Time Out
Resource

June 24, 2006

Hilary Henkin's script isn't as smart as it thinks it is, and only Olin's breathtakingly excessive femme fatale hits the right note of campy panache.
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Variety
Resource

April 09, 2008

The far-fetched plotting eventually goes so far over the top that pic flirts with inventing a new genre of film noir camp.
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