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Revolver
Description
The film follows gambler Jake Green as he enters into a game with potentially deadly consequences. Caught between a gun and a hard place, he finds himself protected by two vicious loan sharks who make him an offer he can't refuse.
The film follows gambler Jake Green as he enters into a game with potentially deadly consequences. Caught between a gun and a hard place, he finds himself protected by two vicious loan sharks who make him an offer he can't refuse.
Actors:
Andrew Howard,
Hon Ping Tang,
Michael Thompson,
Mark Strong,
Jimmy Flint,
Ian Puleston-Davies,
Shend
Andrew Howard
1969, Cardiff, Wales, UK
Hon Ping Tang
Michael Thompson
Mark Strong
5 August 1963, London, England, UK
Jimmy Flint
Ian Puleston-Davies
6 September 1958, Flint, Wales, UK
Shend
17 November 1957, Bromsgrove, Worcestershire, England, UK
Country:
United States, United Kingdom
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July 11, 2016
Incoherent.
May 30, 2013
Revolver taps into a struggle everyone faces that only a small few have been able to relate to. It's not that this film isn't a mess, but that mountain of a mess is on top of a shiny gem of a film that is worthy of being admired.
January 06, 2009
Jesus, this is a stupid movie.
August 27, 2009
An unwieldy, short-circuiting film, packing "more tricks than a clown's pocket" yet imbued with brute spiritual force
December 07, 2007
Guy Ritchie's greasy little noir Revolver is good grindhouse fun until a last act that's like a meeting of a psychoanalysts' convention.
December 17, 2007
Not the disaster described in the British press but unlikely to restore Ritchie's luster.
April 03, 2008
It's not worth the bother.
December 14, 2007
The plot isn't intellectually challenging as much as it is confusing, and yet the big twist is completely telegraphed. Ritchie has created a movie that is patronizingly obvious one minute and impenetrable the next.
March 15, 2008
Like De Palma before him, Ritchie knows how to express substance through style.
December 07, 2007
It's an irritating, repetitive and pretentious psycho-metaphysical con-job that's ultimately about transcending the ego, and it owes a significant debt to the 1960s The Prisoner TV show -- but isn't nearly in the same artistic league.
September 22, 2008
[A]bout as compelling a brief for Kabbalah as Battlefield Earth was for scientology.
