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Outlaws and Angels
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Outlaws and Angels

Description
In 1887, three violent fugitives hold a couple and their children (Francesca Eastwood, Madisen Beaty) hostage in their isolated New Mexico farmhouse. An unexpected game of cat and mouse ensues, leading to seduction, role reversal, and ultimately, bloody revenge.
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Outlaws and Angels
CRITICS OF "Outlaws and Angels"
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New York Post
Resource

July 14, 2016

"Outlaws and Angels" isn't perfect - Murray mumbles into his beard way too much - but Eastwood sure is at ease with a cowboy hat and revolver. Clearly, she's studied with the best.
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Punch Drunk Critics
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January 09, 2017

"The innocence or the darkness, which are we?" Josiah asks; Outlaws and Angels goes too heavy on the latter, to its own detriment.
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The Young Folks
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July 20, 2016

Unfortunately Mollner isn't able to handle intimate, quiet scenes as well as he does action set pieces or special effects shots.
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FILMINK (Australia)
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October 24, 2016

...a vicious portrayal of The Wild West...
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Philadelphia Inquirer
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July 14, 2016

It seems another member of Clint Eastwood's brood is ready for stardom.
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RogerEbert.com
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July 15, 2016

In a sea of grimy indie Westerns, especially ones that started with the same genre canvas, "Outlaws & Angels" is a thoroughly ugly example of when "Tarantino-esque" is the most generous compliment.
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Ozus' World Movie Reviews
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July 18, 2016

A nasty macabre cult Western.
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New York Times
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July 14, 2016

Virtually every character has a dark side, and every victim has it coming. That gets old, too.
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Baret News

July 16, 2016

Francesca Eastwood does her daddy proud as the gunslinging heroine of this bloody, revenge-fueled Western more reminiscent of a Tarantino splatterflick than one of Clint's classics.
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Los Angeles Times
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July 14, 2016

"Outlaws and Angels" can't overcome its distractingly showy camera moves or its tendency toward scenes that drag on interminably.
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indieWire
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December 31, 2016

This particular revenge tale isn't an example of incompetent filmmaking, just sadly misfocused storytelling. Life in 1887 wasn't easy, but at some point, there has to be something more to say.
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