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One Night with the King
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One Night with the King

Description
Hadassah, a young Jewish girl, goes on to become the Biblical Esther, the Queen of Persia, and saves the Jewish nation from annihilation at the hands of its arch enemy while winning the heart of the fiercely handsome King Xerxes.
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One Night with the King
CRITICS OF "One Night with the King"
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New York Daily News
Resource

October 13, 2006

In itself, it's a riveting story. Unfortunately, director Michael Sajbel has envisioned an overwrought Lifetime movie of the week, complete with an Esther who could be a cast member of Laguna Beach and a king notable only for his washboard abs.
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Common Sense Media

January 01, 2011

Brave heroine risks it all in biblical epic.
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Austin Chronicle
Resource

October 30, 2006

The performances are all solid, although the screenplay frequently bogs down with the complexity of palace intrigues and plots that could have been rendered more consumer-friendly.
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eFilmCritic.com
Resource

February 13, 2007

The film is an exercise in overblown and overplayed.
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Film Journal International
Resource

March 01, 2007

Less a celebration than a lively college lecture, with CGI standing in for landscapes, panoramas and a cast of thousands.
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New York Post

October 13, 2006

The cinematography and sets look great, but the script is a bummer. It's overlong, overwrought and overblown.
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Hollywood Reporter

October 13, 2006

The movie devolves into a talky, static affair featuring a cast with wildly varying accents and acting abilities.
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WaffleMovies.com
Resource

January 31, 2007

a welcome and honorable telling of the Purim story.
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Orlando Sentinel

October 13, 2006

Esther's triumph isn't because of divine intervention. It's her humanity and bravery that make her a legend, and make that One Night worth remembering, 2,500 years later.
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Cinema Signals
Resource

December 26, 2006

All the production money in the world isn't going to get this magnificent looking biblical clunker past the critics.
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Newark Star-Ledger

October 13, 2006

Unfortunately [O'Toole and Sharif are] separated by five centuries, and never share a scene. For a movie with the most righteous of intentions, that's perhaps the most grievous moviemaking sins of all.
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Los Angeles Times
Resource

October 13, 2006

Why another version of this oft-filmed tale?
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