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Mirrormask
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Mirrormask
CRITICS OF "Mirrormask"
Solarmovie
ReelViews
Resource

October 21, 2005

The narrative is simplistic and lacking in energy, and the characters are sketched instead of fully formed.
Solarmovie
Reel Film Reviews
Resource

February 01, 2012

Mirrormask eventually establishes itself as an thoroughly interminable piece of work that substitutes endless creativity for context and character development...
Solarmovie
MTV
Resource

February 07, 2006

This one-of-a-kind fantasy film may be seen as a classic someday, possibly quite soon.
Solarmovie
Cinema Crazed
Resource

April 29, 2009

An alluring original piece of fantasy...
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Common Sense Media

December 15, 2010

Dense, dreamlike fantasy isn't for every kid.
Solarmovie
Orlando Sentinel
Resource

October 21, 2005

A 30-minute idea wrapped in a 100-minute movie. It's a jewel box filled with cubic zirconia.
Solarmovie
Globe and Mail
Resource

October 28, 2005

Leonidas walks this tightrope quite engagingly, showing us a girl on the cusp of womanhood, torn between two competing needs -- to become an adult, to remain a child, to vilify, to revere.
Solarmovie
Apollo Guide

January 05, 2009

The story is interesting, in a twisted fairytale sort of way, but the novelty of this dream world does eventually wear off, and we're left checking our watches.
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Arizona Republic
Resource

October 27, 2005

McKean's inexperience as a director trips the film. There is so much going on that the viewer can't take in all the imagery, and McKean's devotion to his skewed vision slows the story to a crawl.
Solarmovie
eFilmCritic.com
Resource

July 18, 2008

MirrorMask proves that a movie can be brilliant and awful at the same time.
Solarmovie
Philadelphia Inquirer

October 21, 2005

Too long, and too rich, for its own good, but clearly Gaiman and McKean were bursting with ideas. Those ideas fly all over the place, sometimes landing with a thunk, but more often taking the breath away.
Solarmovie
Toronto Star
Resource

October 28, 2005

Could be Exhibit A for anyone arguing the case that modern filmmaking lacks a strong sense of story.
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