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Mean Streets
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Mean Streets

Description
This film presents a look at a young man named Charlie, a young American-Italian and Johnny Boy. Over time, the bonnet is struggling for a short time to suffer success and achieve different paths in the 'moderate streets' in Little Italy, which promises everyone success.
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Mean Streets
CRITICS OF "Mean Streets"
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Chicago Sun-Times
Resource

January 01, 2000

In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
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Seanax.com
Resource

May 22, 2016

[F]or all the violence of the streets, this is less a crime film than a character piece, a love letter to the streets of New York's Little Italy and the young men rattling around like tough guys and fantasizing about becoming the real thing.
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CinePassion
Resource

March 03, 2013

Scorsese exalts cinema as the mediator of reality, memory and reverie, the demonic art that enthralls the church boy
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Quickflix
Resource

April 16, 2013

This marriage of indelible imagery with electric, seemingly incongruous pop songs wouldn't be bettered until, well, the next time Scorsese decided to do it.
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Los Angeles Times
Resource

February 14, 2001

Its greatness lies in its leanness, with nary a word, a move, a gesture that's nonessential.
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Variety
Resource

March 31, 2008

Scorsese is exceptionally good at guiding his largely unknown cast to near-flawless recreations of types. Outstanding in this regard is De Niro.
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Matt's Movie Reviews
Resource

March 09, 2011

Authentic in feel and immensely personal in subject matter, Mean Streets marked the arrival of one Martin Scorsese and his unique brand of urban filmmaking.
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Time Out
Resource

February 09, 2006

One of the best American films of the decade.
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Cinema Writer
Resource

August 20, 2010

showcases Scorsese's artistic strengths and weaknesses as they stood at the outset of his career
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New York Times

May 20, 2003

No matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter.
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Chicago Reader
Resource

March 31, 2008

The acting and editing have such an original, tumultuous force that the picture is completely gripping.
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