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Mandy (2018)
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Mandy (2018)

Description
Red Miller and his beautiful wife Mandy Bloom had a great lovely life together. One day, their house was destroyed by a religious group leading by the sadistic Jeremiah Sand. More worse, they killed Mandy. Red starts an adventure that full of dangers and a big desire for revenge for the murder of his darling.
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CREATORS OF "Mandy (2018)"
Mandy (2018)
CRITICS OF "Mandy (2018)"
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AV Club
Resource

September 10, 2018

The film is about nothing-aside, of course, from the sight of a blood-spattered Nicolas Cage gritting his teeth as he rams the sharpened knob of his ax down someone's throat.
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The Stranger (Seattle, WA)
Resource

September 14, 2018

Mandy herself is half oneiric goddess, half vulnerable loner, and Riseborough possesses a fascinating spookiness that makes you forget she's a cliché.
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Slashfilm
Resource

September 13, 2018

The most disturbing part is that Mandy is alluring regardless. Every frame of its picture and every note of its score bleeds anger or sorrow, but even when it simmers with these ostensibly negative, destructive emotions, it does so melodiously.
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Reel Film Reviews
Resource

September 14, 2018

...an art-house exercise in often infuriating self-indulgence.
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Seattle Weekly
Resource

September 14, 2018

Walks a fine line between the cool and the ridiculous, and then finally erases the line.
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Entertainment Weekly
Resource

September 12, 2018

It's the kind of extreme moviegoing experience made for midnight-movie cult worship.
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TheWrap
Resource

September 13, 2018

If revenge films are a dime a dozen, then Mandy cost a bunch of dimes. The plot is straightforward but visually, aurally, symbolically, it's a heavy motion picture that may be too much for some audiences to handle.
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Washington Free Beacon
Resource

September 14, 2018

Mandy is an instant cult classic. ... This is a rock opera as envisioned by the lords of hell.
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Toronto Star
Resource

September 13, 2018

Displays some decent visual gimmickry but shoots for mystical and epic but ultimately feels laboured and pointless.
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Mark Reviews Movies
Resource

September 13, 2018

Even with the radical shift between its two halves, the film presents a cohesive vision, if only on account of how utterly strange it is.
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Los Angeles Times
Resource

September 12, 2018

This film is a fusion of kitsch and pulp, underscored with a genuine spiritual yearning.
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Globe and Mail
Resource

September 13, 2018

For those who think nothing of staying up past midnight to devour the strange and fantastic, it hits the sweetest of spots.
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