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Lucky Number Slevin
Description
Upon his arrival to New York City, where he has gone, in order to spend nice time with his friend, Neck Fisher, a young man, who is always brings terrible, as he owes money to the most dangerous mob and kills his son, so the mob is very angry of him, struggles against being mistaken by his friend, the thing that threatens his life.
Upon his arrival to New York City, where he has gone, in order to spend nice time with his friend, Neck Fisher, a young man, who is always brings terrible, as he owes money to the most dangerous mob and kills his son, so the mob is very angry of him, struggles against being mistaken by his friend, the thing that threatens his life.
Actors:
Michael Rubenfeld,
Judy Sinclair,
Peter Outerbridge,
Corey Stoll,
Oliver Davis,
Scott Gibson,
Bobby Brown
Michael Rubenfeld
1979, Winnipeg, Manitoba, Canada
Judy Sinclair
Peter Outerbridge
30 June 1966, Toronto, Ontario, Canada
Corey Stoll
14 March 1976, New York City, New York, USA
Oliver Davis
24 May 1993, Los Angeles, California, USA
Scott Gibson
Bobby Brown
7 July 1964, London, England, UK
Country:
United States, Euro
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Ebert & Roeper
April 10, 2006
I think it was entertaining as heck.
March 29, 2011
Lucky Number Slevin is a very clever film, probably too clever for its own good.
October 09, 2006
One of the underappreciated gems of the 2006 movie season.
June 13, 2008
It's the pace of the film that wins the day.
August 30, 2009
Elaborately hollow tough-guy arabesque
April 12, 2006
It finally all makes sense after a fashion, and I think and hope that you will be entertained by all the narrative legerdemain.
June 24, 2006
Only Lucy Liu's insanely perky neighbour emerges with any real credit.
UGO
March 24, 2007
McGuigan has such a stylish eye that, even if you never quite care what's happening, you'll always be visually entertained.
New York Magazine/Vulture
May 12, 2006
It shrinks your perception of what movies can do.
November 10, 2006
Essentially a crime noir thriller with a twist, Paul McGuigan's film is showy and sharp, whose witty dialogue is delivered with a shrug
New York Observer
April 19, 2006
Everything in it -- every confusion, every line of unspeakable dialogue, every red herring, every camera setup -- has been borrowed from some movie you've seen before.
December 18, 2006
With its diabolical ending, this is the movie equivalent of a crossword puzzle: fun, clever, and disposable.
