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Little Caesar
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Little Caesar

Description
It may be controversial when a person moves from one place to another completely different. This story begins with the little ambition of Rico, who tried to make a name for himself in the other world, but his friend Joe decides to leave the life of crime and commercial ventures in the works of the show through a dancer. One day, Joe meets the beautiful dancer Olga, where things do not seem to be going well. Rico asks Joe to leave his mistress who came in that period, but things change when she makes a serious decision.
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Little Caesar
CRITICS OF "Little Caesar"
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Cinemania
Resource

July 04, 2013

Edward G. Robinson's gravelly snarl and sociopathic disdain for human conventions became the template for countless future gangster anti-heroes
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CinePassion
Resource

September 23, 2011

Faded bronze to The Public Enemy's silver and Scarface's gold, but an enduring bedrock formation all the same
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Movie Metropolis
Resource

January 25, 2005

Robinson's riveting performance earned him a permanent place in the history of cinema.
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Slant Magazine
Resource

February 07, 2005

Feels stilted when stacked up against its tougher depression-era contemporaries.
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Film and Felt
Resource

April 05, 2011

Little Caesar makes two classic LeRoy joints that I've found perfectly solid...and thoroughly underwhelming, especially when viewed through the prism of their reputations.
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Chicago Reader
Resource

January 01, 2000

Edward G. Robinson in the performance of his career.
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Variety
Resource

October 31, 2007

No director could ask for more than Edward G. Robinson's contribution. Here, no matter what he has to say, he's entirely convincing.
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Filmcritic.com

January 27, 2005

Come for Rico, stay for Rico
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Time Out
Resource

February 09, 2006

Though it looks somewhat dated now, there's no denying the seminal importance of this classic adaptation of WR Burnett's novel.
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Ozus' World Movie Reviews
Resource

January 25, 2005

One of the most popular and best received crime films ever.
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New York Times
Resource

May 24, 2003

The production is ordinary and would rank as just one more gangster film but for two things. One is the excellence of Mr. Burnett's credible and compact story. The other is Edward G. Robinson's wonderfully effective performance.
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New Yorker
Resource

September 07, 2015

LeRoy's coldly efficient direction-due less to his own artistry than to the constraints of sound recording in its first years-imposes a static rigor on the action and lends the actor's diction and gestures a sculptural, granitic force.
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