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Laura
Description
A police detective falls in love with the woman whose murder he is investigating.
A police detective falls in love with the woman whose murder he is investigating.
Actors:
Grant Mitchell,
Dorothy Adams,
Clyde Fillmore,
Mary Field,
Lane Chandler,
Jean Fenwick,
Scott Seaton
Grant Mitchell
17 June 1874, Columbus, Ohio, USA
Dorothy Adams
8 January 1900, Hannah, North Dakota, USA
Clyde Fillmore
October 25, 1876 in McConnelsville, Ohio, USA
Mary Field
10 June 1909, New York City, New York, USA
Lane Chandler
4 June 1899, South Dakota, USA
Jean Fenwick
May 30, 1907 in Trinidad, British West Indies [now Trinidad and Tobago]
Scott Seaton
11 March 1871, Sacramento, California, USA
Country:
United States
Keywords:
#Clifton Webb #Dana Andrews #Gene Tierney #Judith Anderson #Laura #Otto Preminger #Vincent Price
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Grant Mitchell
17 June 1874, Columbus, Ohio, USA
Dorothy Adams
8 January 1900, Hannah, North Dakota, USA
Clyde Fillmore
October 25, 1876 in McConnelsville, Ohio, USA
Mary Field
10 June 1909, New York City, New York, USA
Lane Chandler
4 June 1899, South Dakota, USA
Jean Fenwick
May 30, 1907 in Trinidad, British West Indies [now Trinidad and Tobago]
Show More
Village Voice
October 23, 2007
A hypnotic and deathlessly interpretable experience.
December 17, 2016
It's one of the smartest of all noirs, and thus among the most enticingly savage and dangerous.
February 25, 2012
Preminger made darker, more characteristically noir films than this, but his only movie that's as good, or perhaps better, is Anatomy of a Murder.
July 15, 2013
A feverish trance wrapped in a deadpan investigation
February 12, 2016
Laura (1944) is elegance incarnate in a genre known for its hard edge, the sleekest, silkiest noir of all.
October 23, 2007
Less a crime film than a study in levels of obsession, Laura is one of those classic works that leave their subject matter behind and live on the strength of their seductive style.
February 23, 2012
Not only one of Preminger's greatest, but one of the great noirs.
March 21, 2013
Preminger deals in facades, with how perception cheats us, right down to the ideal image of Laura as a portrait. (Cinémathèque Annotations on Film)
December 20, 2011
Few movies make you feel dirtier, and so perversely grateful for the pleasure.
April 25, 2012
Masterpiece: with time, Preminger's second film has become richer in texture and deeper, more ambiguous in meaning than most noirs of the 1940s.
April 20, 2009
A highly polished and debonair whodunit.
February 23, 2012
Laura is still every bit as gripping in 2012.

