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Last Tango In Paris
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Last Tango In Paris

Description
Distraught following his wife's suicide, American hotelier Paul (Marlon Brando) becomes transfixed by the beautiful younger Frenchwoman Jeanne (Maria Schneider) and demands their clandestine relationship be based only on sex.
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Last Tango In Paris
CRITICS OF "Last Tango In Paris"
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Blog de cine
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December 23, 2016

A film that loses all interest and is even quite unbearable when Brando is not on screen. [Full review in Spanish]
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Cinema em Cena
Resource

July 22, 2016

The sex scenes that made the film famous are just a symptom of a deep pain and also its treatment. [Full review in Portuguese.]
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Movie Magazine International
Resource

February 05, 2011

But when we look at this film, it signals a feeble turn towards art house eroticism which is tame by today's standards. For as Maria Schneider herself says ', we've seen much worse'.
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Groucho Reviews
Resource

March 30, 2011

Took the world by storm with its strategy of sexual frankness and a towering performance by Marlon Brando. [Blu-ray]
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EmanuelLevy.Com
Resource

April 25, 2012

Brando gives a terrific performance, but Bertolucci's movie as a whole, which was so bold and audacious in 1972, does not hold up very well.
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Chicago Sun-Times
Resource

January 01, 2000

The look, feel and sound of the film are evocative.
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Chicago Reader
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December 07, 2007

The operatic extravagance of Bernardo Bertolucci's style has emerged more clearly since this 1972 drama, which still managed to seem vaguely naturalistic in the midst of its extravagant camera moves and eccentric construction.
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Combustible Celluloid
Resource

March 25, 2011

This emotional, sexual jumble of a movie still contains some interesting ideas, and some gorgeous cinematic poetry.
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Time Out
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June 24, 2006

It's Brando's film: his monologues devastate.
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Movie Metropolis
Resource

February 26, 2011

High Art moments are offset by the grossly misogynistic behavior of Brando's character and scenes and dialogue that can seem so insipid that they negate any real eroticism or serious shock value.
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New York Times

May 20, 2003

The movie is sad, but it's also hugely funny, occasionally when it doesn't mean to be.
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Variety
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December 07, 2007

An uneven, convoluted, certainly dispute-provoking study of sexual passion in which Marlon Brando gives a truly remarkable performance.
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