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Kill Bill Vol 1
Description
After four years of her life in coma, her marriage party spoilt, and the baby in her womb gone, she devices a hit list to get at every of her enemy.
After four years of her life in coma, her marriage party spoilt, and the baby in her womb gone, she devices a hit list to get at every of her enemy.
Actors:
Michael Madsen,
Ai Maeda,
Julie Dreyfus,
Jonathan Loughran,
Sakichi Satô,
Michael Bowen,
James Parks
Michael Madsen
25 September 1958, Chicago, Illinois, USA
Ai Maeda
Julie Dreyfus
24 January 1966, Paris, France
Jonathan Loughran
1966, USA
Sakichi Satô
1964, Osaka, Japan
Michael Bowen
21 June 1953, Houston, Texas, USA
James Parks
16 November 1968, Ventura County, California, USA
Genre:
Action
Country:
United States
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October 12, 2003
Simultaneously a spectacular act of movie-making and a slight movie.
July 29, 2016
The tale is pure pulp, a catalogue of seventies martial arts revenge dramas and American B-movie action thrillers, and the style is pure Tarantino...
October 18, 2008
With its eclectic use of music and inventive mix of genres, Kill Bill is a striking and enigmatic revenge film visually and culturally rich and relentless in its action.
Common Sense Media
December 24, 2010
Visually striking, but also very violent.
January 12, 2016
delivers on every classic Tarantino brand that you'd come to expect
New York Observer
October 16, 2003
I would argue that, in a bizarre way, Mr. Tarantino empowers women as no action-genre director before him ever has.
May 07, 2008
Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.
December 28, 2009
A head-spinning dream project of extraordinarily bi-polar, nutso invention, Vol. 1 is a candy store rampage, cheering on Tarantino's fetishes as he built a colorful war machine of ideal double-feature dementia.
June 24, 2006
It's all bang, bang; no kiss, kiss. But this is still bravura film-making from a prodigious talent, and Thurman may yet prove its saving grace.
April 19, 2009
Quentin Tarantino's long awaited fourth film finds the pop culture carnivore of filmmaking reinvigorating cinema a second time over with a single-plot-trajectory revenge movie that utilizes samurai sword action with a shifting score of infectious guitar d
New York Magazine/Vulture
August 07, 2004
There is no ironic overlay in Tarantino's movies, no 'commenting' on the pop schlock he's replicating. He simply wants to remake in his own way the kinds of movies he's always loved, and he's about as uncynical as a movie geek can be.
Variety
May 07, 2008
A strange, fun and densely textured work that gets better as it goes along.
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