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It's All Gone Pete Tong
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It's All Gone Pete Tong

Description
A comedy follows the tragic life of legendary Frankie Wilde. The story takes us through Frankie's life from one of the best DJ's alive, through subsequent battle with a hearing disorder, culminating in his mysterious disappearance from the scene.
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CRITICS OF "It's All Gone Pete Tong"
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Minneapolis Star Tribune
Resource

May 26, 2005

A raucous, uproarious satire of the dance-club scene.
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Film Journal International
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March 01, 2007

This has writing that could charitably be called inane, and a wholly repulsive star.
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Flipside Movie Emporium
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September 20, 2005

Bright, noisy, and surprisingly fulfilling, it keeps its adrenaline rush under deceptively easy control.
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Laramie Movie Scope
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March 09, 2006

One of the most graphic, scary, funny and imaginative depictions of drug addiction ever filmed.
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Movies for the Masses
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October 03, 2006

full review in Greek
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Chicago Sun-Times
Resource

May 27, 2005

The movie works because of its heedless comic intensity; Kaye and his writer-director, Michael Dowse, chronicle the rise and fall of Frankie Wilde as other directors have dealt with emperors and kings.
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Globe and Mail
Resource

June 10, 2005

You may ... find the picture as undisciplined as Frankie's wild coif. I see the chaos, like the coif, to be tangled but pointed, an endearingly calculated mess.
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JWR
Resource

October 14, 2005

The film soars on the talent of Paul Kaye's magnificent portrayal of a pop music icon's self abuse, descent into total deafness and rebirth ...
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Chicago Tribune
Resource

June 03, 2005

The formula doesn't entirely stick, but Dowse's visual veracity towers over any narrative shortcomings Tong presents.
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Cinema em Cena

September 22, 2005

O diretor Michael Dowse confere energia admirável a este filme espetacular que conta, ainda, com uma atuação arrebatadora de Paul Kaye.
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Denver Post

May 27, 2005

This is biopic as raving rumination. But it is also a surprisingly compassionate redemption story.
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Toronto Star
Resource

June 10, 2005

There's nothing like watching a guy hit rock bottom and then try to crawl back up again. Or as that heartless record industry weasel puts it, 'People love a good tragedy.' Especially one set to a good beat.
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