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In a Valley of Violence
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In a Valley of Violence

Description
In this film, Ethan Hawk explores a new journey with his dog on their way to Mexico where they shot anyone at the border. Soon there will be more conflicts through indiscriminate violence that threatens the town of the misfits and the weak at the bloody intersection.
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Los Angeles Times
Resource

October 20, 2016

This smartly cast, vengeance-fueled oater proves mighty entertaining in its own right.
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Spokesman-Review (Washington)
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March 15, 2017

It seems that West's quirkiness involves no point at all, other than to create a familiar setting, throw a bunch of idiots together, and watch them act out their violent tendencies to somewhat predictable ends.
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Under the Radar
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December 15, 2016

Turning his recent slide into middle-aged paunch to his advantage, Travolta allows a glimmer of the charisma he wielded in Pulp Fiction to shine through.
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El antepenúltimo mohicano
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January 23, 2017

A sincere letter of love from its director to the genre, perhaps less risky and hoarder than might be expected, but equally enjoyable. [Full review in Spanish]
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AV Club
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October 20, 2016

A by-the-numbers spaghetti Western that's kind of slow and uneventful-and the world has no shortage of those.
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Entertainment Weekly
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October 24, 2016

Announces itself as an unabashed B-movie from its pre-credits scene ... and never worries itself about being anything deeper than that.
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Film Inquiry
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December 05, 2016

In a Valley of Violence is a fusion and modernization of old genres, particularly Spaghetti Western, and though not without flaws, it is mostly an entertaining thrill ride.
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RogerEbert.com
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October 21, 2016

In a Valley of Violence does not take itself too seriously (a great asset), but it also takes itself just seriously enough that it's not empty snarky parody.
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IGN Movies
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November 09, 2016

Revenge hasn't been this sweet in a long time.
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New York Times
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October 20, 2016

Spiked with dryly funny exchanges and lovingly shot by Eric Robbins on 35-millimeter film, "In a Valley of Violence" nevertheless feels exasperatingly two-dimensional.
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TIME Magazine
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October 27, 2016

West, making his first foray into westerns, doesn't control the tone. Its somber, bone-dry gruffness crumbles to dust, only to be replaced by adolescent jokiness.
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