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I Think We're Alone Now
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I Think We're Alone Now

Description
A dramatic and sci-fi movie that follows Del, the last survivor after the apocalypse, or this is what he thought before meeting Grace, another survive but she is a weird girl with mysterious behaviors, the thing that leads her to get into conflicts with Del after they agreed to accompany each other.
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HEROES OF "I Think We're Alone Now"
I Think We're Alone Now
CRITICS OF "I Think We're Alone Now"
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RogerEbert.com
Resource

August 13, 2018

I felt cheated by a film that should be about relatable issues like loneliness and difficult connections between different personality types but never lets viewers into its world in a way that feels organic or enjoyable.
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Common Sense Media
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September 20, 2018

Strong language, drinking in post-apocalyptic drama.
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Slashfilm
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August 13, 2018

Quiet, reflective, and intimate, I Think We're Alone Now is an exceptional exhibition for Dinklage and Fanning and a further illustration of the dynamic talent of filmmaker Reed Morano.
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Austin Chronicle
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September 20, 2018

There's a claustrophobic comfort to it... Yet there is space for silence and reflection, and many shots are quietly beautiful - until a Rush song blares, puncturing the meditative mood.
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The Movie Cricket
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September 20, 2018

I Think We're Alone Now is still three-quarters of a good movie, and worth the view if one adjusts one's expectations down a few notches.
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AV Club
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September 10, 2018

Morano's film wants to examine the emotional consequences of immersing oneself in trauma, but Makowsky's script merely paws at the edges of the idea rather than diving into the knottiness of it.
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RogerEbert.com
Resource

September 14, 2018

A story that grows frustratingly conventional.
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Film Journal International
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September 14, 2018

Descends into illogic and inscrutability.
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New York Times
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September 13, 2018

A post-apocalyptic tale with a late plot twist that feels as if it comes out of left field. And right field. And center field, the stands and the dugout, too.
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Film School Rejects
Resource

August 13, 2018

[Peter] Dinklage's magnetism in these opening moments pave the way for what becomes a beautifully cathartic meditation on the nature of loneliness.
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Los Angeles Times
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September 12, 2018

There's nothing here about the necessary rudeness of companionship that wasn't more entertainingly addressed in the first episodes of the comedy series "The Last Man On Earth."
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Rolling Stone
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September 14, 2018

Peter Dinklage and Elle Fanning bravely face the end of the world, but they can't overcome a barrage of clichés in a plot that ties up loose ends without a single surprise or a scintilla of genuine emotion.
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