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I Am Not Madame Bovary
Description
After being swindled by her ex-husband, a woman takes on the Chinese legal system.
After being swindled by her ex-husband, a woman takes on the Chinese legal system.
Actors:
Hua Liu,
Zonghan Li,
Jia-yi Zhang,
Hewei Yu,
Tao Guo,
Bingbing Fan,
Yi Zhang
Hua Liu
1 June 1961, Changchun, Jilin, China
Zonghan Li
7 November 1976, Beijing, China
Jia-yi Zhang
7 April 1970, Xian, Shaanxi, China
Hewei Yu
4 May 1971, Fushun, Liaoning Province, China
Tao Guo
17 December 1969, Xian, Shanxi, China
Bingbing Fan
16 September 1981, Qingdao, Shandong Province, China
Yi Zhang
Country:
China
Keywords:
#Bingbing Fan #Chengpeng Dong #Hewei Yu #Hua Liu #I Am Not Madame Bovary #Jia-yi Zhang #Lixin Zhao #Tao Guo #Wei Fan #Wo bu shi Pan Jin Lian (2016) #Xiaogang Feng #Xiaogang Feng #Yi Zhang #Zonghan Li
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Hua Liu
1 June 1961, Changchun, Jilin, China
Zonghan Li
7 November 1976, Beijing, China
Jia-yi Zhang
7 April 1970, Xi'an, Shaanxi, China
Hewei Yu
4 May 1971, Fushun, Liaoning Province, China
Tao Guo
17 December 1969, Xi'an, Shanxi, China
Bingbing Fan
16 September 1981, Qingdao, Shandong Province, China
Show More
November 16, 2016
It's like an odd storybook you'd find in the attic and have trouble putting down - the more quixotic Lian's journey becomes, the more you want her to see it through to the bitter end.
June 28, 2017
Bingbing heads a terrific ensemble, although the sly anti-bureaucratic fun does feel a little overextended at 137mins.
May 28, 2017
The film is uneven and lagging in pace. Still, it's frequently beautiful ...
June 09, 2017
[An] overstretched art-house soap.
November 17, 2016
The script by Liu Zhenyun becomes ponderous and redundant, kept on oxygen by its lead actress's complex performance as a child-woman with enigmatic wisdom.
November 18, 2016
It's a pleasure to look at the screen and to watch the artistry of the entire creative team. But there's a forbidding quality to the entire enterprise.
May 26, 2017
As the second half of the film essentially repeats the action, only years later, the film's pace becomes sluggish, and its impact rapidly deflates. The artful charm of Feng's stylistic choices also begin to feel limiting.
November 17, 2016
The shapes are a distraction. However, what's happening within them is compelling enough to overcome the stylistic overkill.
May 26, 2017
A film that luxuriates, through that beguiling round frame, in breathtaking, never-seen-before screen imagery.
November 17, 2016
Although it's intended as a satire, director Feng Xiaogang's movie has a literary tone, a leisurely pace and relatively few laugh-out-loud moments.
May 22, 2017
All in all this is quite something, gradually building to a jawdropping final scene.

